Tag Archives: Xbox 360

360 Wi-Fi Without a £60 Adaptor

Since moving into a place where my gaming den – more on that in an upcoming post – is beyond the reach of an ethernet cable, I came to require a way to get my 360 online wirelessly, and although the official adaptor was the obvious choice, I didn’t want to pay the frankly shameful £60 RRP. I know that wireless hardware is dirt cheap and that one isn’t even fully featured, lacking the WPA2 support that every certified Wi-Fi device since 2006 has featured. Not to mention that it wouldn’t help me avoid my previous issues with the PS3’s built-in Wi-Fi.

It’s not often that I can provide genuinely useful advice, so listen up. I know enough about home networking to know that one way around this is an ethernet bridge, which are reasonably cheap and will work with any ethernet device. But even so, buying one for each console and possibly more for, say, a standalone Blu-ray player in the future could add up.

Linksys WRT54GLMy solution was to buy a Linksys WRT54GL, which can be had for less than £50 new. It’s a fairly basic router with one exception: it runs on Linux.

This being the Internet, it’s been taken apart by enthusiasts to add piles of features through third-party firmware. The free Tomato Firmware, which has a simple client mode as one of its key features, is exactly what you need. I put it in ethernet bridge mode and both consoles are online without a hitch, and the router has been going strong for two weeks now.

I should also point out that Tomato works with a number of other routers, which may even be cheaper. I just went with the Linksys because it was the original.

The official site has a video showing how to put it into client mode, which will be all that 99% of users want. There’s also an excellent tutorial here, which explains the difference between the two client modes – I went with bridge because I wanted everything on the same subnet for video streaming.

I know that I’m not the only one who is baffled by the fact that you can get an excellent router to do the job of the official adaptor and more for less money, but I’m not going to complain too much when open networking standards give us a relatively simple way around the problem. Alas, it’s not as easy to get around extortionate prices on other 360 peripherals like the larger hard drives or charging cables that cost comparatively nothing on a certain competing console, but maybe Microsoft will have a heart with the next iteration.

Then again, only one of those machines is actually making money. Maybe not…

GTA IV: The Lost and Damned

I got pretty bold a couple of weeks ago when I predicted a bright future for DLC in 2009, as it was swiftly followed by a disappointing insubstantial downloadable outing for Fable II and the divisive Operation Anchorage for Fallout 3, which I happened to like but probably didn’t live up to most people’s expectations.

I can count on Rockstar to bail me out, though, because The Lost and Damned is fantastic.

GTA IV: The Lost and Damned

For a start, I must comment on pricing. 1,600 points (£13.60) for a good 10-12 hours of GTA IV, with production values at least as high as the main game – sterling voice work, impeccable cut-scene direction, new licensed music, new things to do, etc – and some improvements of its own, not least of all the much-requested mid-mission checkpoints. It’s so far made me remember why I loved this game so much, and frankly puts the usual quick and dirty 2-3 hours that we’ve come to expect from DLC to shame.

Credit is also due for giving it a unique feel of its own, rather than being beholden to what was set out in GTA IV. It turns Liberty City, which remains a brilliant place to explore, into a platform for future expansions like this, and gives you just enough crossover to give you a kick when Niko makes a cameo or you hear about something from his misadventures on the radio. The biker culture that it revels in is also far from the immigrant experience of Niko and feels strong enough to support a full game. I’d even go as far as to say that people who disliked Niko and his friends and couldn’t deal with his frequent Anakin Skywalker moments will like this better.

Plus I didn’t hear one utterance about “American tee-tees”, which is always a bonus.

I’m making this quite a short post because I’ve written at length about how good GTA IV is (impressions, post-mortem) and this is ultimately more of the same, but I’m in love with the game all over again. Fuck the haters because they’re quite simply wrong: GTA IV rocks and so does this DLC.

F.E.A.R. 2: Project Origin

Any FPS being released at the moment is taking a risk by coming out in the shadow of Killzone 2 and its unstoppable hype machine, but F.E.A.R. 2, which I’ll hereafter refer to as Project Origin for the sake of my sanity, has been getting some praise of its own. It even controversially scored higher than Killzone in the latest issue of Edge, which has caused consternation in some circles.

F.E.A.R. 2: Project Origin

When my copy arrived, I must admit that my first impressions were slightly underwhelming. The first ‘interval’ – that’s ‘mission’ to you and me – takes place in a plush office block and has you fighting your way to the top against some generic special forces guys with a basic SMG and no sign of the game’s standard bullet time feature, and even the scary horror flashes toned down from how it bashed you over the head with them in the early stages of F.E.A.R. It’s really nothing more than a prologue, though, which becomes apparent when it ends in the wake of the first game’s finale.

Once you’re playing Project Origin proper, special abilities and all, it gets much more interesting. In the first few chapters after the prologue you get more variety of enemies – including my favourite: a trooper with a gas tank on his back that will make him blow up in a puff of smoke and giblets if you shoot it – and the scares come in, mostly consisting of apparitions and random psychic attacks on you and your enemies, with sneak attacks from a new kind of baddie that I won’t spoil coming in later. Continue reading F.E.A.R. 2: Project Origin

I Love Dead Space

It’s a veritable Halloween in February here, what with this and Left 4 Dead occupying lofty positions in my current playlist and F.E.A.R. 2 shortly to join my collection, but before the inevitable comparisons to Resident Evil 5 start turning things a bit nasty, I have to state how bloody good this game is.

Get it? Bloody good?

Dead Space

I’m not getting into that whole Resi 5 comparison because it only ends in tears – suffice to say that Resi did it first but Dead Space has better controls – and this game can stand on its own merits. Yes, it has obvious filmic inspirations as well, and the similarities between the aesthetic here and stuff like Event Horizon, Alien, and The Thing are so clear as to almost go without saying, but this does its own thing where it matters and has plenty of surprises as it begins to ramp up within a couple of chapters. By that point you’ve been through several of the Nostromo Ishimura’s environments and it starts to mix things up on you a little bit.

It’s actually quite difficult to put my finger on what exactly it is that I like so much because so much has been seen before, so I’m just going to have to shrug and say that it’s just a very good, very polished game. It doesn’t really do anything new, a couple of nifty gimmicks like the dismemberment and zero-gravity sequences aside, but what it does it does well.

Maybe the fact that people have seen a lot of the stuff before is part of the reason why it didn’t set the sales charts on fire, but I don’t think it’s a bad thing. There’s nothing wrong with a game just doing old things in a polished and pretty way. It has fantastic presentation – the graphical quality is obvious from the screenshots and the HUD design is superb, but the audio is beyond stellar – and, if nothing else, the development team at EA Redwood Shores knew which parts of which games to borrow in making a well-rounded horror experience. Nothing wrong with that when it’s done as well and is as fun as this, right?

This may be tempting fate – new EA is still EA, after all – but fingers crossed that Dead Space did enough business to warrant a sequel.

The Year of the DLC?

So my last informal ‘Year of the…’ post didn’t turn out so accurate, and this one could either herald a brave new frontier for gaming as retail goes down the toilet or turn out to be a damp squib that people aren’t really interested in, but I’m pretty confident that 2009 will, either way, be a big year for downloadable content.

Fable II has just had its first DLC package, Knothole Island, and I happily bought it because I was itching to play more of the game. The same thing is likely to happen later this month when Fallout 3 receives its first downloadable quest line, Operation Anchorage, and again with the other two to come in February and March, Left 4 Dead has more campaigns on the way, and of course GTA IV’s much-ballyhooed expansion, The Lost and Damned, is planned for next month.

It’s a big line-up for a traditionally slow period, cunningly placed to keep players from trading in last year’s games, and although map packs have been a fixture of this generation since the 360 launch, with the silly money being thrown around for exclusive DLC at the moment, could this be when the idea of DLC fulfils its promise? Continue reading The Year of the DLC?

2008’s Honourable Mentions

Not every game can be as good as Fallout, and indeed there are many excellent games from last year that I didn’t like as much as Mirror’s Edge at number ten but still deserve a mention, so here are a few more games from 2008, in no particular order, that fell short of making the main list but still deserve a mention.

  • Lost Odyssey – It was going to be between this and the game below for tenth spot on the list until Mirror’s Edge stormed in on Christmas Day and pipped them both. As one of the few JRPGs not to have disappointed this gen – I won’t play the well-received Tales of Vesperia until its PAL release – I found this to have likeable characters, an interesting story, and yes: some nice towns too.
  • Professor Layton and the Curious Village – When this became the surprise hit of the end of the year, it was well-deserved. It’s teasingly close to being a point-and-click adventure, it has a charming art style that looks like French animation, and Level-5 even managed to cram FMV cut-scenes in there to further the story. It helps, of course, that the puzzles and brainteasers are uniformly excellent and just the kind of thing to play on a handheld. Wait until the price has normalised and then give it a look.
  • Dead Space – It may be hard to describe this game in any terms other than its plainly obvious inspirations – Alien’s Nostromo with a dash of Doom 3 and a liberal sprinkling of Event Horizon, all topped with Resident Evil 4’s controls – but it’s still a highly satisfying and actually quite scary horror game. The companion animated movie is worth a rental as well.
  • Rock Band 2 – As I hadn’t bought a music game since Guitar Hero II, Rock Band 2 was my attempt to see how far things had come in the intervening generation of plastic instrument-based room-clutterers. Not all that far from the perspective of someone who only plays the guitar, but the boom in à la carte downloadable songs and the sheer amount of music that’s now on my hard drive to choose from makes it pretty irresistible. It makes you feel like a rock star and fulfils all similar clichéd review quotes, and I’d imagine it’s even better with the room for a set of drums.
  • Geometry Wars 2 – Pretenders be damned, this is the only twin-stick shooter to play. Take the successful gameplay of the first one and give it six more modes and some brilliant music and you won’t find many deals that are as obviously worth getting as that. Played on a big 1080p TV with surround sound, it may well give you a seizure, but you’ll have to agree that it’s worth it.
  • Super Street Fighter II Turbo HD Remix – The degree to which I still love Street Fighter II has already inspired its own post, and this has made the other versions irrelevant. Looks great, plays well online, the balance tweaks are enough to actually improve things while not being sweeping enough to rile the hardcore, and if you disagree with any of those comments you can turn off whatever it might be that’s offending you. I don’t have a bad word to say about it, and it only didn’t make the final list because… well… no matter how good the game is, it’s still Street Fighter II again. Roll on February.
  • Persona 3 FES – This would have been in with a shout if I hadn’t played and preferred its sequel in the same year, but it’s still worth a look for its sufficiently different setting and tone. It’s also available for a pretty good price by now, so it could be one to bear in mind for when you’ve finished all your Christmas goodies.
  • Rolando – ‘An iPhone game!?’ you say? Yep. I liked LocoRoco a lot when that came out, and this is pretty blatantly ‘inspired by’ that game but with the benefit of what the PSP game lacked: tilt controls. It’s unfair to call it a clone, though, as it has a lot more gameplay variety and more creative level design, all designed from the ground up to take advantage of the iPhone’s particular gifts, and I might well end up making a case for it with its own post before too long. In the meantime, if you have an iPhone or iPod touch and are looking for a game with some meat to it, it’s only £5.99 and bodes well for the future of dedicated iPhone development.

I think that’s enough looking back for another year. See you in 12 months for more complaining about the state of [insert genre here].