Tag Archives: Sony

Best of 2008, Games, GOTY, PlayStation

Best of 2008 #7: LittleBigPlanet

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LittleBigPlanet

While I may not have thought LittleBigPlanet to be the revolution that certain circles had been hyping it as, that’s not to say that it wasn’t a great game and a step towards popularising what still has the potential to almost be a genre in its own right.

I have to say that, at least back when I played it, creating my own levels and playing what was out there was the least appealing part. Unsurprisingly, most of the user-created levels were complete tosh, and when it took me a couple of hours to make what I thought was a fairly basic element to an even passable standard, I decided that a controller just isn’t the interface to use when getting creative.

I’ll go back at some point and see what people have made when given the time to work around the limitations of the tools, but I had a good enough time with the story levels to let this game into my top ten. Knowing that Media Molecule’s levels were created with the same pieces that anyone else can use, it bodes well for the future of LBP because I thought it was one of the best traditional platformers that I’ve played in ages.

Yes, the controls are floaty and can feel imprecise. But as a whole those levels were so creative and made such good use of what the game had going for it – namely a great physics engine and a wonderful handmade visual style – that it was impossible not to love them.

Impressions, PlayStation

The PlayStation Home Beta

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Admittedly I’ve been against Home from the beginning, but having spent some time with the beta a bit before it opens up to everyone, I have to say that I really can’t see the point of this. It’s bland, boring, soulless, slow, and I can think of a ton of ways that I’d prefer to interact with what community there is on PSN.

The character creation suite is the first port of call, and I’m afraid that I have to make the obvious comparison between Miis and Avatars here: Home has a serious case of the uncanny valley going on. While the other two offerings aren’t realistic in the slightest and yet allow you to make a fairly recognisable representation of yourself, Home takes a far more realistic approach, and as a result I spent ages working on it to end up with someone that doesn’t really look like me at all. It looks more like a real person than a Mii, but wandering around Home everyone pretty much looks like they escaped from the same Gap advert.

It’s early days still, but when there are so few clothing options for your drone/mannequin and it looks like any extra will need to be bought with real money, I don’t see it getting much better.

The monetary issue is a big one as well. I got a summer house free for being in the closed beta, which is a room with some stairs and a fireplace, and a nice view of a lake. It’s functionally identical to the harbour apartment that you start with, but Sony is apparently charging $4.99 for it, and that’s without the palette-swapped furniture that you have to pay extra for. I could understand maybe charging for the cool interactive stuff like arcade cabinets and the TVs that will presumably add in video sharing when that comes back, but the items in there now are just pointless.

The initial 77MB download is just the engine and your starting space, a spartan single-room apartment. If you want to leave the room and visit the Home Square, the central hub, you have to twiddle your thumbs while it downloads, and as it does this, there’s bugger all to do in your room. You want to leave that and visit the Shopping Centre? That’s another 20-odd meg to download. Ditto if you visit a clubhouse or the personal space of a friend who has a house type that you haven’t visited yet. I think I’ve literally spent more time downloading than actually doing anything.

Also, thanks to the dearth of people who have headsets, I’m reliant on text chat to communicate. This is something that I haven’t done on a console since Phantasy Star Online on the Dreamcast, and for a system that’s supposedly going to attract the Facebook crowd with its intuitive visual interface, it’s very reliant on using a virtual PDA menu – not a PSP or even a Sony Ericsson phone, shockingly – to do anything.

Mainly, though, it’s just plain dull and soulless. Everyone looks the same, for some reason that completely escapes me you have to queue to play the games that are available, and everyone’s as baffled about what you’re supposed to be doing as anyone else.

Tycho from Penny Arcade said today that, “this is what happens when your marketing department tries to make a game”, and that hits the nail on the head. There’s no interesting hook here, and when the big new content like game spaces and new sponsored areas – in other words: adverts – are what you have to look forward to, what’s the point?

Games, Nintendo, PlayStation, Xbox

E3 2008 Conference Review

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Same format as last year, but with added bitter fanboy tears. In chronological order:

  • Microsoft – I wasn’t blown away, to be honest. Seeing live gameplay of Resident Evil 5 was initially my highlight, in the same way that the Call of Duty 4 was a gem in a pile of (mostly) shit last year. Gears 2 and Fable II both look good and are certain purchases that it’s nice to have dates for, but things like avatars do nothing for me and the occasional cool feature and probable gem do not a great conference make. No Alan Wake (the new Duke Nukem Forever?), no big new IP announcements, a new interface that I’m not convinced about. Just the warm feeling from the fact that there was no motion controller announcement… yet.
     
    But then Square dropped the bomb. As last words go, FFXIII on 360 put most of Steve Jobs’ infamous “and one more thing” reveals to shame. Not even a rumbling of this news before the show, which is remarkable in itself, and it dealt a big blow to Sony early on. With the possible exception of Gran Turismo, this has been Sony’s trump card since FFVII in 1997, and it was the one third-party PS3 exclusive that I thought untouchable. Make no mistake; that announcement was huge.
     
    It doesn’t change the fact that the rest of it was relatively lacklustre, but it feels like it was all a ruse to lead up to that. For the biggest E3 megaton – something that I thought was becoming a lost art – since “five hundred and ninety-nine US dollars”, this one gets a…
     
    B     
  • Nintendo – If you ever need reason why so many hardcore gamers seem to have abandoned Nintendo to focus on the fight for second place, this is why. Last year’s Wii Fit reveal was a disappointment and in that respect this at least had something that vaguely interests me in Animal Crossing, but it’s still basically the same thing as Nintendo brought out on N64, GameCube, and DS. It might have more online functions, but all I’m going to be thinking about is how much better it could be done on Live and PSN.
     
    Add another mini-game compilation, another peripheral, and, in Wii Music, one of the most pathetic ideas I’ve ever seen (I can’t help but think of the musical chairs game in The Simpsons when Bart was put into the remedial class). Someone summed it up for me on a forum post when they said: “At least now that Nintendo has show that it hates hardcore gamers we won’t have to pretend to like the Wii any more.”
     
    Thanks for the good times back in the day, Nintendo, but I’ll take an insular industry that makes games that I enjoy over this popular tripe.
     
    D-     
  • Sony – Sony really didn’t deviate too much from what was largely a successful formula last year. The embarrassing Home jokes were gone, and no baffling cameo from Chewbacca, and we just got games. It deserves credit for making the most entertaining Powerpoint presentation in history. LittleBigPlanet can make anything interesting.
     
    On the games front, Resistance 2 looked good but early, and while stuff like God of War III and MAG sound promising, didn’t Sony learn anything about showing CG trailers a couple of years ago? When your big reveals are CG and your lead game is one that pretty much everyone who cares enough to watch a conference has finished at least once since it came out a month ago, it doesn’t make it look like there’s a lot of content.
     
    C 

This E3 will go down in history for the Final Fantasy XIII announcement, which put the Microsoft conference ahead on entertainment value alone. Other than that, very disappointing in my opinion. No big new game announcements (so far), no proper price drops or anything, and the bitter taste in my mouth that the mainstream press is going to be fawning over Nintendo finding a way to charge you to play air guitar.

Editorials, Games, PlayStation

PSP: Console of 2008 so far?

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Sony’s having a funny old generation. The PS3 has gone from being cut adrift to right back in it, and despite being the DS’s whipping boy since they came out in 2004, the PSP is now doing respectable numbers (in hardware, at least), is still gaining features through firmware updates and impressive interoperability with the PS3, and, for my money, has had the best games of all the systems so far this year.

I’ve already blogged about the charming Patapon and phenomenal(ly short) God of War, and I’m sure you’re familiar with those recent gems. Crisis Core: Final Fantasy VII is out in the States and looks insanely good for a PSP game; it takes a while to get going and progress from being a fairly monotonous button masher (never thought I’d accuse a Final Fantasy game of being that) to something unique and extremely playable, slightly reminiscent of the real-time-but-not-quite combat of Final Fantasy XII. The strange things that Square’s been doing with this series makes me extremely curious – not to mention anxious – about what FFXIII will do.

Technically it’s a 2007 release, but I’ve also been playing Silent Hill Origins, which is a technically impressive and extremely solid entry to the series, that anyone worried about how a Western development team will handle Silent Hill V should take a good look at. That handful of games, together with the always-excellent homebrew community (check out the brilliant Rorschach to see what people can do), have ensured that the PSP has been my most played machine for the first few months of the year.

Just like the Wii is never going to be in any danger of being caught by the PS3, the DS and PSP are barely really in competition in that respect. But while the Nintendo machines have had a handful of recent good games – Smash Bros. on the Wii; Apollo Justice and Professor Layton on the DS – the Sony machines have shined this year. Nintendo really doesn’t have much confirmed beyond Mario Kart, while we all know about the PS3’s 2008 lineup and the PSP, while perhaps not having much of its own beyond Crisis Core, will profit from association. Bionic Commando Rearmed, for example, is confirmed to be playable on the PSP via Remote Play.

It may be that tepid software sales and rampant piracy has a detrimental effect on the PSP’s future as an independent system, and it’s been accused of being little more than a PS2 port machine in the past (the ironic thing being that several high profile PSP games have now been ported back to PS2), but with any luck its recent software successes will keep the fires burning. Whether as a games machine, a PS3 accessory, or a portable media player (watching films and TV shows on it is great, if occasionally unflattering to the screen’s poor refresh rate), the PSP has been showing itself as a late bloomer.

God, this year’s Sony praise is making me feel a bit sick. I’ll be sure to compensate once Ninja Gaiden 2 is out.

Games, Impressions, PlayStation

God of War: Chains of Olym…oh

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As shallow as they are, I do rather enjoy the God of War games. It’s no Ninja Gaiden or Devil May Cry when it comes to depth of the combat system, and Kratos makes Marcus Fenix look like a Marlon Brando performance, but in terms of spectacle and art design it’s almost peerless. Last year I said how ridiculously good God of War II looked for a PS2 game, and now I’m pretty much about to say the same thing about the PSP prequel. I mean, just look at it…

God of War: Chains of Olympus

It’s so pretty that I’m just going to drop in another screenshot here…

God of War: Chains of Olympus

Epic temples with nice lighting are all well and good, of course, but what about enemies? Here you go…

God of War: Chains of Olympus

And it wouldn’t be God of War without the ludicrous sex scene that mysteriously never gets debated on Fox News. I’ll be kind to the working folks and leave that one as a text link.

Wowee. And those don’t even show the most epic areas, coming as they do from within the first hour of the game. In other words, the first 25% of the campaign. There lies the major problem with this game.

Chains of Olympus is really short – less than five hours the first time through – and while it’s all extremely high quality stuff and I’m already on my second playthrough (admittedly not entirely from choice, given that the save from the promo copy I was playing for the last week doesn’t carry over to my retail copy), it’s getting slightly annoying when big games all turning out to be slightly slim on the content front. Halo 3, Uncharted, Gears, Heavenly Sword, this…all recent high profile games which are lucky to hit eight hours, and yet still cost £50.

Still, I’ve always said that I’d prefer a short but great game to an artificially extended and average game, and I’m sticking by that. Chains of Olympus is a proper God of War game – spectacular graphics, a rollicking rollercoaster ride – and I still enjoy them despite the flaws. The games are a guilty pleasure, like watching Independence Day on Blu-ray when I have 2001: A Space Odyssey here, and five hours of great spectacle on a handheld is something to dip into, almost short enough to blast through in one sitting on a long plane or train journey.

What with it being a PSP game, I don’t expect this game to do particularly well, but if you’re one of those people who’s fallen off the PSP wagon and hasn’t bought a game in months, this one is well worth a look. With Crisis Core: Final Fantasy VII due this month as well, it might even be worth charging up the thing again.

Games, Impressions, PlayStation

Patapon or: Me and My Tragic Lack of Rhythm

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Patapon

It’s been quite a while since my last PSP game, as is probably the case with most people, so it looks like the game to take the cherry of my recently purchased slim PSP will be Patapon. It’s been mooted as a successor to LocoRoco, sharing as it does a developer and a vaguely similar art style, and, as the Wikipedia entry puts it, combines gameplay elements from “music and rhythm games, real-time tactics and God games”. A clear example of a peanut butter and chocolate combination, if I ever saw one.

It also helps that it’s being released as a budget title, and you can get it from Video Games Plus for £12.49 plus postage (even cheaper if your importer of choice is in the US), which I think is an excellent way to sell a niche title that will undoubtedly get great reviews.

Anyway, I’ve been plugging away with the English-language demo of the game. There’s a nigh impenetrable version available through a PS3 on the Japanese PSN store, but for US preorderers and those with a more nebulous moral compass (and/or custom firmware on their PSP), there’s an English-language demo “out there”. Even if you’re buying the game, finishing the fairly lengthy demo is worth the effort as it unlocks an exclusive weapon in the full game. Have at it.

The Almighty Olly

So I was plugging away at it in the wee hours, mostly with a smile on my face because I enjoy being told what an excellent god I am (who wouldn’t?), when I found myself hitting the wall that has scuppered me in everything from Dance Dance Revolution to the later stages of Guitar Hero: I have no sense of rhythm whatsoever. I can just about keep my tribesmen – who, I’ve noticed, occasionally sound just like the Ro-Bear Berbils from ThunderCats – marching, bar the occasional scolding for doing it too fast or too slow, and can usually at least get them into a frenzy, but task me with changing to another beat without losing time and I’m like a deer in headlights.

Surely I can’t be the only one with this problem? It’s like I was born without a certain part of the brain, and the fact that I enjoy this kind of game – this one particularly so – just makes it all that much harder. I conquered games like Samba De Amigo and Guitar Hero II (on normal difficulty, at least) almost by force, just trying the same sequences again and again until muscle memory kicks in, while people that I know – damn you, Barney! – can seemingly just waltz in and do it.

It won’t stop me playing Patapon, since Ouendan showed how little my inability to play rhythm games can damage my ability to enjoy them, but surely if it’s a learned skill I would have picked it up at some point between PaRappa in 1997 and now?