“Oh my god. This is the shit.”
That summation, taken from a friend – a huge Street Fighter II fan – after his first few silent moments with Street Fighter IV, pretty much captures how I think most fighting fans felt when they got their hands on it. Street Fighter III was great, but it was such a step away that it was always going to be difficult to love quite as much.
Capcom, seemingly, knew this when it came to doing the sequel thing over again. This wasn’t Street Fighter III, and it certainly wasn’t Street Fighter EX; this was Street Fighter II’s successor.
It’s quite simply a magnificent fighting game. While its competitors, which have been more active over the past few years, have built dauntingly huge character rosters with moves lists the length of a toilet roll and more and more realistic visuals, Capcom eschewed such nonsense and took a pleasingly retro tack with this, and it was a big part of what I loved about it. A cherry-picked line-up with some largely inoffensive new additions – I don’t count Seth there, obviously – and moves list that fit on a single screen not only made complete mastery both tempting and feasible, but also brought back that old-school chess feeling, where your small pool of resources is well balanced and every character can beat every other one; you just have to work out how.
It was the only game that enchanted me into spending over £100 on a controller – not for Activision’s lack of trying – and I’ll probably be buying Super Street Fighter IV in a few months if that gets the old crowd in for another round. Capcom did a phenomenal job of actually following up Street Fighter II while keeping the essence and making it feel modern, and so here’s my recognition of that massive achievement.
If there was one genre that I didn’t expect to see making a high-profile resurgence this year, and from Epic of all studios, it was Metroidvania. With Metroid having gone all first-person and Castlevania not taking no for an answer in its attempts to be the new God of War, the two standard bearers seemed to have abandoned it. Indeed, we didn’t even know this existed until E3, which made the surprise of how bloody good it was all the more pleasurable.
Look at how far downloadable games have come. From Geometry Wars and 16-bit arcade ports to what basically amounts to a fairly significant chunk of the classic that is Battlefield 1942, all completely remade for DICE’s latest engine and with all the next-gen goodness that it entails.
Can an expansion qualify for a GOTY list? Is Halo 3: ODST an expansion at all? Legitimate questions all, but I think that ODST, besides being a standalone release, is different enough to qualify. To be honest, beyond name recognition, did it even need to be painted as part of Halo 3 at all? Most of it happens concurrently with Halo 2, after all.
I don’t have any more categories than an overall top ten when I pick my game of the year, but if I was going to nominate the best value purchase of the year it would certainly be Borderlands. It cost me less than £18 and I got far more out of it than most full-price purchases. And thankfully it’s not been completely overlooked either, as it’s the 
Alas, adding co-op to the framework for one of the best action-adventure games ever made wasn’t enough to blow minds as the same formula managed to do in 2005, but Resident Evil 5 still deserves recognition. As far as I’m concerned, the only thing you could accuse its developer of – besides being staffed by massive racists, obviously – is only making minor improvements to the game that netted dozens of game of the year awards not too long ago. They must be mad.