Tag Archives: Awards

Best of 2007 #5: Uncharted: Drake’s Fortune

Uncharted: Drake's Fortune

It’s taken far too long for the PS3 to get it’s first really top exclusive game, but now that it has one (no more “PS3 has no games lol” jokes, please) it’s a very good one. The Sony camp get vindication and the rest of us got to enjoy over a year of merciless mickey-taking. It all works out in the end.

Uncharted is unlike almost most next-gen games, in that it looks beautiful and also looks colourful. It has the much-vaunted “destroyed beauty” – it’s set in the ruins of an ancient city – yet the fallen masonry is bordered by golden sunlight, lush forests, and azure tropical oceans. Even when it gets dark, superb lighting and subtle use of mist and other effects means it can do it with the same aplomb as the games that do nothing but.

I hope that more games follow this lead. We need more to our games than brown and bloom lighting. And Drake is a likeable, positive character bolstered by a great script that never descends into action movie cliche. It’s an example of in-game storytelling from which others would do well to crib: characters aren’t lifted from any Steven Seagal movie, platforming and exploration is helped by sterling animation work to not rely on pixel-perfect positioning.

While it lets itself down somewhat in the final acts (not quite enough to undermine the hard work that went before, it should be said) and the game isn’t brimming with content for your £50, it’s an example of how quality can outshine quantity. An eight hour romp that is never less than thrilling is worth far more to me than a twenty hour opus with fifteen hours of filler. Essential.

Best of 2007 #6: BioShock

BioShock

I almost get the sense that BioShock is destined to be overlooked, coming before the big guns of the year and really before the Christmas season began. I hope that I’m proven wrong because it deserves all the more recognition.

Since I seem to be taking this list as an opportunity to nitpick the best games of the year as much as to celebrate them, I’ll say that the mechanics of BioShock left me slightly disappointed. It didn’t feel like the open-ended jazz solo with guns that it was made out to be, and the showpiece battles with the Big Daddies happened too frequently to be the events that they could or should have been.

Nonetheless, Irrational/2K Boston is clearly one of the best in the world when it comes to creating an environment. It’s here almost solely on the strength of Rapture, such a glorious creation that the beautiful and tragic underwater metropolis becomes the impetus to keep playing. The design is so inventive, so different to what we expect from games these days. It might seem like a strange comparison to make, but it reminds me of how the sense of place in Shenmue enabled me to overlook the flaws and want to spend time exploring.

Rapture makes this one of the most unsettling (not scary) and haunting games of the year. If you haven’t played it yet, don’t let the torrent of quality that we’ve had over the last few weeks overshadow it. It’s one of the best.

Best of 2007 #7: The Orange Box

The Orange Box

Also known as Portal & Friends.

The Half-Life 2 series and Team Fortress 2 are superb games, if slightly overrated in the case of the former. And while many game of the year nominations for The Orange Box can almost be justified on the criteria of sheer value alone, I’m quite comfortable nominating it on the basis of a single three-hour game that gets third billing on the box.

I’m convinced that one day looking at the (atrocious) cover art of The Orange Box will be like watching a film from the mid-80s, where the stars have faded or had a couple of stints in rehab and the only one still around is the precocious kid who got a tiny credit and now gets paid $15 million a time. Portal probably won’t be a multimillion franchise but I can see it being sustained through mods and official DLC alone. It’s already birthed several memes – usually an early sign of gaming stardom.

Of course there’s a ton more in The Orange Box than just Portal. Half-Life 2, though overrated in my opinion, could probably just about justify the price alone and for those without gaming PCs this is the first decent console version; Episode One is average but short (just over three hours for me); Episode Two is probably the best of the HL2 series. I’ve heard that Team Fortress 2 is great, but my experience with it has been marred by the laggy Xbox Live performance and a couple of other multiplayer first-person shooters.

Even if I have complaints, there are no bad apples in The Orange Box. Everything in the box has its merits and when you consider the sheer amount of stuff in here (and I’ve already seen it on sale!) it’s clearly one of the best of the year.

Best of 2007 #8: God of War II

God of War II

As far as I’m concerned it’s testament to how strong the 3D action genre is at the moment when my least favourite of the current big three – Devil May Cry, God of War, Ninja Gaiden – can make number eight in my best of the year. With 2008 due to bring us a new installment in all three series…well, the phrase “pig in shit” comes to mind.

It’s fitting that a console that brought such a vast library of great games got a send-off as spectacular as God of War II. Nine times out of ten such a major game wouldn’t have come to the ‘obsolete’ console when its successor was out there and, at the time certainly, wanting for AAA titles. But the fact that it could run on the PS2 is all the more impressive when you see it. I don’t know what development voodoo the developers have done, but at times this game pushes around things that most games of the HD generation wish they could do.

It’s only real flaw is that it’s God of War. That is, it’s more of a button masher than its genre counterparts and is ultimately as shallow as Kratos himself. But it’s not trying for the technical mastery of Ninja Gaiden or the deep combo system of Devil May Cry. It’s a rollercoaster ride, about the fireworks more than the grey matter despite being ostensibly the same genre. It’s Independence Day to their Bourne Identity. And while one is clearly better than the other, I have plenty of time for both.

Having played the PSP demo, I can’t wait to see what the team can do with the PS3 hardware in 2009. Killzone what?

Best of 2007 #9: Metroid Prime 3: Corruption

Metroid Prime 3: Corruption

Somehow, Corruption is both the best and worst of the Metroid Prime series. It’s the best looking, it has the smoothest difficulty curve, and yes: it has the best controls.

It proves once again that when controls are tweaked with the Wii in mind rather than crowbarred onto the remote that it’s a very capable control system. I couldn’t imagine playing Halo on the Wii remote but at the same time I couldn’t imagine playing Metroid Prime on a 360 controller. It has its place, and that’s fine.

My main complaint is that it’s continued the shift away from what makes a Metroid that was started in Metroid Prime 2 and Hunters, and this one really suffers the most from it. This series is about isolation on a hostile planet, whereas Corruption has an opening that infamously echoes that of the first Halo to an almost plagiaristic extent, and most of the planets will have you running into fellow bounty hunters and receiving communications from the Federation. I’m not the only one to have also noted that these aspects aren’t particularly well done either, making them especially alienating for fans.

Still, these issues are with the story, which is thankfully a largely secondary distraction. The good stuff is just as good, and the token gimmick (the titular corruption of the phazon variety) is better than the annoying Dark Aether guff in Metroid Prime 2. It’s a great sci-fi adventure and, if Retro can get over the temptation to lean too much on the story, leaves me keen to see what they can do with their obvious talent and the best first-person shooting controls on a console.

Best of 2007 #10: Hotel Dusk: Room 215

Hotel Dusk: Room 215

If I wasn’t giving it its little bit of recognition here, this would be a shoo-in for one of those fun but meaningless awards like ‘best game nobody played’ or ‘most overlooked game of the year’ (surely an oxymoron if you’re recognising it with an award?). It’s been and gone so completely that it’s hard to believe that it actually came out this year.

It felt to me like 2007 was a poorer year than previous for the DS in all respects but sales, which are still in the stratosphere. The new entry into the Ouendan series lacked the immediate appeal that the first game had, and even Zelda seemed to arrive with little fanfare, missing out on the event game status that New Super Mario Bros enjoyed. Hotel Dusk, though, is a uniquely DS game that won me over with its noirish style and storyline. It really wouldn’t have worked as well on any other platform.

While far from perfect, it was able to tap my enthusiasm in for a number of different things. The old adventure games, for one. And noir. And the brilliant design decision to hold the DS vertically like a book, emphasising the pulp novel influence and really making it perfect to play on the bog, and allowing for the genius idea of writing your own notes in your notebook. If only they’d fixed some of the minor annoyances – slow text scrolling is a pet peeve of mine, and the plot progression wasn’t always smooth – Hotel Dusk could have been even higher on this list. More adventure games please, Nintendo. Or make LucasArts do the right thing.

But in the meantime, play this one. I’m sure it’s cheap now.