If there was one genre that I didn’t expect to see making a high-profile resurgence this year, and from Epic of all studios, it was Metroidvania. With Metroid having gone all first-person and Castlevania not taking no for an answer in its attempts to be the new God of War, the two standard bearers seemed to have abandoned it. Indeed, we didn’t even know this existed until E3, which made the surprise of how bloody good it was all the more pleasurable.
Given that there’s not a lot of pedigree for these kinds of games around any more, it’s all the more remarkable. A first attempt, on an engine more used to high-budget shooters – I believe part of Epic’s plan when picking up this title was to showcase Unreal Engine 3’s surprising versatility – and they created a game that I’d certainly put up there with the best in the genre.
It impressed me with how well the engine adapted, and a few kinks with the three-dimensional aiming aside, the technology only enhanced it, with some extremely impressive set pieces and sweeping changes to environments that just wouldn’t be possible on last-gen or wholly 2D engines. And even though it undeniably followed the genre template down to the smallest detail – really, the fact that you start from scratch rather than losing your all-powerful character’s weapons and abilities after the prologue is the only difference between this and Symphony of the Night and Super Metroid, structurally speaking.
I loved Shadow Complex, and it kept me going right to the brink of finding absolutely everything, where only a few irritating secrets remain. So with this and Battlefield 1943 showing that new takes on classic concepts works just as well as twin-stick shooters on Live Arcade, let’s hope that 2010 brings us more of that. I’d love to see some of my favourite long-dead 16-bit era gaming styles making a return.
Look at how far downloadable games have come. From Geometry Wars and 16-bit arcade ports to what basically amounts to a fairly significant chunk of the classic that is Battlefield 1942, all completely remade for DICE’s latest engine and with all the next-gen goodness that it entails.
Can an expansion qualify for a GOTY list? Is Halo 3: ODST an expansion at all? Legitimate questions all, but I think that ODST, besides being a standalone release, is different enough to qualify. To be honest, beyond name recognition, did it even need to be painted as part of Halo 3 at all? Most of it happens concurrently with Halo 2, after all.
I don’t have any more categories than an overall top ten when I pick my game of the year, but if I was going to nominate the best value purchase of the year it would certainly be Borderlands. It cost me less than £18 and I got far more out of it than most full-price purchases. And thankfully it’s not been completely overlooked either, as it’s the 
Alas, adding co-op to the framework for one of the best action-adventure games ever made wasn’t enough to blow minds as the same formula managed to do in 2005, but Resident Evil 5 still deserves recognition. As far as I’m concerned, the only thing you could accuse its developer of – besides being staffed by massive racists, obviously – is only making minor improvements to the game that netted dozens of game of the year awards not too long ago. They must be mad.
Graphics aren’t everything, but they are something, and when they look as spectacular as Killzone 2, they’re really something. Even if it wasn’t quite