Thoughts before tomorrow’s announcement

So in all likelihood we’ll be looking at the first of the next-gen consoles by tomorrow. Sorry, Nintendo, but it’s true.

I’d forgotten how exciting all this can get. There’s news to talk about, specs to argue over, and fanboys getting far too emotionally invested. I expect the usual sieve-like memories as gamers gush over the graphical prowess shown off in CGI trailers and imagine that developers will use this newfound hardware power to make things run at 60 frames per second, only to be disappointed when neither happens. Again.

Sony

Now I’m assuming that we’ll get some glimpse of the PlayStation 4 tomorrow. If we don’t, a lot of the media is going to be looking very silly, and the initiative is with Microsoft. I don’t expect that, though. Just like glimpses of The Last Guardian, new hardware announcements have to happen some time, and this generation has gone on quite long enough.

Although I’ve happily played for both sides this generation, it’s clear from my collection – 105 Xbox 360 games to 30 on the PS3 – that the 360 has been my console of choice. Unless the PS3 version of a game has been demonstrably better (Portal 2) or once, as in the case of Dark Souls, out a desire to keep both instalments in a series on the same platform, I’ve plumped for the 360 editions of multiplatform games. Controller preferences, a better online experience and generally superior 360 ports made that an easier approach.

Now that we’re on the verge of a new generation, though, I find myself much more excited about the prospect of the PS4 than whatever Microsoft announces in the next few months.

In the last couple of years I feel like we’ve had a glimpse at what a console landscape dominated by Microsoft would bring. Kinect integration everywhere; dashboard updates whose main function is seemingly to put more adverts into a service you’re already paying for; an increasingly dull first-party line-up that consists of four or five franchises on a rotation you can set your watch by; more and more functionality hidden behind a service that, though good, is increasingly hard to justify for £40/year; restrictions on developers that want to offer free DLC. Word on the street is that, as a rule, Microsoft will only allow DLC to be free when it’s offered as such on rival platforms, and I think that is the best possible evidence of the importance of competition.

At this point in the previous console cycle, Sony was insufferable. The astonishing arrogance that came out of the domination of the PS2 era and culminated in that price tag and a console that wasn’t a complete failure, but was certainly a disappointment based on previous sales performance. That coupled with two consecutive tonkings in the handheld space give me the feeling that Sony has learnt some humility.

The talk is that the PS4 is built on familiar architecture, not the powerful but esoteric nightmare that was the PS3. It sounds like it’s built to be straightforward to develop for, rather than as a vanity project for Sony’s hardware labs. That hardware allowed for spectacular first-party productions but meant multiformat development still suffers next to other versions of the same games. This time, if the rumours are correct, platform parity is much more likely, and we can still count on the talent of Sony’s affiliates to push boundaries more than I suspect we will from Microsoft’s, who have been gutted over the years while Sony’s have expanded.

Take these things on board, and improve the user experience of the PS4 – no important functionality sloppily implemented at a later date (trophies) or not at all (cross-game chat), no mandatory installations, and no downloads that lock you out of doing anything while they unpack – and I feel like Sony has a good chance of rising back to the top this generation. It was quite rightly chastised last gen, and in a climate where conventional gaming has more competition than ever for people’s entertainment time, a resurgent Sony, focused on producing a fantastic, powerful games console above all else, is a very good thing.

No games on the high street?

Word on the (high) street seems to be that the troubled HMV is looking to get out of the market, meaning there will shortly be nowhere to buy new games here in Bournemouth town centre. Tesco Express might get in a new FIFA or Call of Duty, but if you want something more obscure or older than a couple of months? No chance. There’s CEX for used stuff, but that might be threatened and doesn’t do much to help the industry.

I’m really torn on this issue.

On one hand, it’s a very bad thing that gaming now has so little high street representation. The likes of Dixons are long gone, of course, so when the new consoles arrive there will be nowhere plugging them from ornate window displays – nor, indeed, anywhere to actually, you know, buy them. I don’t drive, which makes the out of town shopping centres with large supermarkets and the few surviving Game stores a pain, so online is my only option. It would be my first choice, admittedly, but the choice would be nice to have.

Game closed

But another part of me is glad. So many major retailers have gone down the pan in recent years that it’s tempting to put the blame solely on the economy. It’s not the only reason, though. It hasn’t helped, for sure, but what we’re seeing the rejection of the outdated mode of selling, where the £49.99 RRP is seen as something other than wishful thinking on the part of publishers, to be chuckled at and disregarded before selling it for £40 or less.

I buy the vast majority of my games online, and you get so used to paying £37.99 for a new release from ShopTo that a rare expedition to find the endangered species that is a branch of Game can be a genuine shock. I remember going into one with the intention of grabbing something I’d neglected to preorder online and walking out empty-handed because the £50 price sticker felt so absurd. I hadn’t paid that much for a game that wasn’t a rare JRPG in so long that I’d genuinely forgotten that suckers actually still did it.

Analysts like to blame the proliferation of 69p iOS games for this sticker shock when it comes to buying console games at retail, but even among friends and family who don’t consider themselves hardcore gamers, they still buy as many as they ever did. They’re just not doing it for the same silly money. People are buying games from Amazon, ShopTo and the like because they’re cheaper and more convenient. They’re better in almost every way, and that’s why they’re winning.

This ultimately won’t affect me directly because I’ll be buying my next-gen consoles online and I expect all my game purchases to come from online retailers or, if they can be trusted to price them competitively without retailers to keep happy, completely digitally. Part of me will miss a presence for gaming on the high street just like part of me – OK, all of me – misses the independent retailers that used to be everywhere. Times change, though, and it’s a natural evolution that could turn out for the better.

The dark side of blocking used games

I don’t tend to buy games used unless it’s unavoidable, which I suppose makes me fairly indifferent to the fearmongering that comes along frequently regarding the eventual prohibition of playing used games on consoles. Now that this could actually happen, I’d like to draw attention to my caveat in the previous sentence: unless it’s unavoidable.

The last used game I purchased was the original Darksiders, which was a couple of years old at the time and not available new anywhere, as far as I could see. I wanted to play the game because of the good things I was hearing about its sequel, so I got a copy on eBay for around £5. I’d have happily paid £10, £15 for a new one, but that wasn’t an option.

Availability of back catalogue games is a serious issue (see also: Pirates or Preservationists?), even beyond the way that the generational march and decline in backwards compatibility cuts us off from running yesterday’s games on today’s hardware. It doesn’t happen with film, where just about any major movie from the dawn of cinema up to the current Oscar contenders is or shortly will be available to play on a shiny disc, and the same goes for music and books. I can find The Beatles, Beethoven and Jane Austen readily, even separated from them by decades or even centuries.

The next-gen consoles will likely offer all retail releases as downloadables for those who are so inclined, treating the symptom of availability, if not curing the disease that my PS4 likely still won’t play my PS3 games. Hopefully, by the time we’re looking at the next next generation, it’ll be possible to log on to each system’s respective online service and download a minor gem from 2013 that I might have missed the first time.

There’s one problem, though…

Download prices

I don’t trust the platform holders to loosen the reins on digital pricing in the way that Valve has done with Steam. They’re too beholden to keeping retail partners happy to let publishers sell a game for 75% off mere months after release. Stories already abound of digital-only games being stuck to rigid price tiers or limited in what free content they can offer, as the platform holders – Microsoft in particular, it must be said – are out to monetise everything.

Or maybe I’m wrong, and cutting the used game market out will allow for more aggressive pricing of digital games. If books, music and movies going digital has taught us anything, after all, it’s that publishers are keen to pass the benefits on to consumers, right?

The money men won’t see the value in selling games for deep discounts, for not sticking to the American model where the RRP/MSRP is not so much a suggestion as a commandment. It’s not like here where new games are routinely £10 or more under the recommended price on day one. Who actually pays £49.99 for a new Xbox 360 game?

A few exceptions due to licensing aside, every Xbox Live Arcade and PSN game released for their respective platforms is still available. They’re usually still the same price as they were on day one, which kind of proves my point, but at least the issue of long-term availability of games could be close to being solved. That said, my experiences with always-online games haven’t been good, and I can’t help but think back to the odd enforced disconnections, like when I’ve moved home and had to wait to be hooked up, when I’d suddenly find my £50-a-time ways to pass the time being unavailable when I most need them.

Hopefully this turns out to be nonsense, because a console that can’t work offline from Microsoft makes the choice of which next-gen console to buy first much easier.

Ni No Kuni shows what we’ve been missing

I’m looking at the JRPGs from last generation on my shelf: Final Fantasy X and XII, Persona 3 and 4, Digital Devil Saga, Skies of Arcadia, Grandia II, Shin Megami Tensei: Nocturne, Dragon Quest VIII, Kingdom Hearts I and II. The generation before that was arguably even better – Final Fantasy VII-IX, Chrono Cross, Xenogears and Panzer Dragoon Saga, to name but a handful – and the quality of the JRPGs on the SNES before that goes without saying. The Mega Drive was no slouch either – Phantasy Star, anyone?

I think I’ve made my point. So what went wrong?

Ni No Kuni

It’s fairly obvious when you look at what a bloodbath this generation has been for developers; the costs of development make the vast worlds and sweeping quests of yore impractical. Prior to this, I’ve enjoyed Lost Odyssey, and already I’m having to stretch the definition of a JRPG to include titles like Valkyria Chronicles, Demon’s Souls and Dark Souls. The Wii had a triptych of notables under the Operation Rainfall banner for those who still have theirs hooked up, but those have the advantage of playing with the previous generation’s production values. Probably my most played JRPG of the last few years is my trusty DS copy of Chrono Trigger, which remains a staple of my portable gaming rotation.

Ni No Kuni is proof that Japan’s RPG developers do still get it; that it can still be done. This is every inch a traditional JRPG, so traditional that it almost feels innovative these days, with towns, a vast map, caves and dungeons, a lengthy story, tons of characters, FMV cut-scenes, a colour manual and even a lavish special edition. Admittedly, acting impressed that Level-5 with the backing of Studio Ghibli can get it done is a bit like praising Manchester United for winning a Sunday league game, and the days of small developers independently putting out epic productions are likely gone – someone please, please prove me wrong – but that doesn’t diminish the achievement of releasing such a shining example under these circumstances.

Prior to release, the superb reviews pushed Ni No Kuni to the top of the Amazon charts in several countries and ensured that the limited edition, which again breaks from this generation’s traditions by actually being limited, has sold out more than one batch before it even made it to store shelves. As I write this, it’s also managed to top the UK charts. It’s heartening evidence that there still is a market for RPGs.

Since the game’s only been out a few days, I’ve merely scratched the surface by putting in half a dozen hours, but what I’ve played has been both impressive and wonderfully nostalgic. I honestly haven’t found a JRPG that’s been so nice to simply exist in since Skies of Arcadia provided the cherry on top of the Dreamcast’s spectacular 2000.

Too bad the generational goalposts are about to be moved again, likely putting us back to square one…

Revisiting The Legend of Zelda: Ocarina of Time

My recent purchase of a 3DS brought with it the ideal opportunity to go back to what many consider to be the greatest game ever, The Legend of Zelda: The Ocarina of Time. I’m ashamed to admit that I never finished it first time around, despite poring over magazines for years beforehand and doing everything short of prostituting myself to get my hands on a copy on day one after my preorder fell through; I think the one-two punch of the Water Temple and the Shadow Temple did it for me, and as a result this has never even been my favourite Zelda game – that would be Link’s Awakening – let alone my favourite game overall.

Ocarina of Time 3D

Although I’m playing the 3DS remake, this is going to be a vehicle for my thoughts on the game itself. Plenty has been written by much more authoritative sources on what’s different and how the versions compare, so I won’t bog this down with my hazy recollections of a game I’ve barely touched since 1998.

One thing I do remember is waxing lyrical with a friend about how “cinematic” Ocarina of Time was. It was unusual for a Nintendo game in that respect, as it seemed preoccupied with making games rather than telling stories, with few games having more story than ‘rescue the princess’ or ‘do a barrel roll’. It still is, and along with Majora’s Mask and Twilight Princess, it feels different to the others in the series. The Wind Waker, for all the shock that greeted its unveiling, is thematically and stylistically similar to all the sprite-based instalments, and Skyward Sword seems jovial in response to the misery on display in parts of adult Link’s quest, not to mention the plentiful nightmare fuel of Majora’s Mask.

Ocarina of Time 3D

This came out at a time when developers, particularly ones working with the capacity of CD-ROMs, were learning to blend film and game. Though perhaps only in my nostalgia-addled brain, they were better at it then, imitating the mature tropes of film without going too far in trying to find gaming’s own language of storytelling. There’s no real fan service or an attempt to build an ambitious, overall narrative, which is something that has long weighed down the community without adversely affecting the games, even if it was there all along.

I must say, it’s a lot easier than I remember too. This game was a challenging quest to 13-year-old me, but this time I died once, on one of the bosses. I’m going to hold this up next time I hear someone complain about how easy games are these days. Personally, it’s not a bad thing, as I’d much rather make progress through an enthralling 15-or-so hour quest than have it padded out to 20 by making me traipse back to the boss chamber repeatedly.

Having had an uninterrupted run at the game, I’ve come away with an elevated opinion of Ocarina of Time. Best game ever? No, I still don’t think so. It’s certainly a good shout for an inclusion in my top five, though, and is up there with Link’s Awakening in consideration for my favourite Zelda game. If anything, the main feeling it’s left me with is an increased need for Majora’s Mask 3D – one that the years seem to have turned into a connoisseur’s choice of Zelda – as I barely touched that on release, having long since moved on to better hardware.

Look at me. I’m begging Nintendo for more remakes of old games instead of rolling my eyes. I must be starting to like games again.

I only went and bought a 3DS XL

Yeah, yeah, I’m going back on a promise, but hey. The XL is much nicer than the older hardware and the sexy white Mario Kart bundle coupled with a free copy of Super Mario 3D Land meant getting the hardware with arguably its two best games for a reasonable £160. The fact that I was enticed into spending money on Nintendo hardware and actually getting excited about it shows that the regrowth of my enthusiasm for gaming since taking the freedom road continues apace.

Nintendo 3DS XL

I learnt from the disappointment of getting on board early with the original DS, this time skipping the flawed initial incarnation and the wilderness months when there’s bugger all to play, this time getting the superior hardware right off the bat and having a worthy little library to pick from.

Yes, it’s still region-coded, which I maintain shouldn’t happen on a handheld console and will really hurt if I end up missing out on anything as wonderful as the Japan-only Ouendan on ye olde DS, but overall I’m impressed. I could take or leave the 3D effect and it could really do with a resolution boost on such a large screen – after three years of retina displays, it’s hard to go back – but those are my only complaints. It’s a lovely piece of hardware and the built-in features like StreetPass are impressively forward-thinking for a company as notoriously backwards when it comes to online as Nintendo. The size of this thing does make it a pain to carry in a pocket, but I still find myself making room for it and going out of my way because I want to StreetPass with people.

It’s a shame that idiotic ideas like friend codes and, on newer hardware, time limitations on when adults can buy games keep cropping up to mar Nintendo’s reputation, because the 3DS shows what kind of clever ideas the unlimited potential of networked gaming can bring when coupled with a company with a proven bent for innovation and bringing people together to play.

My next project is to get on Ocarina of Time 3D – and I’m embarrassed to admit this – and finish it for the first time. Get some SNES and GBA games on the Virtual Console as well and I’ll happily put this down as a worthy purchase.