Serenity Impressions

Serenity

The whole Firefly/Serenity thing is an odd beast to say the least: Fox hands Joss Whedon, fresh from the monumental success and moderate success of Buffy and Angel respectively, some money to make his space opera opus, Firefly; he makes it as an idiosyncratic mix of sci-fi and western, complete with occasional deviations into Chinese; it flops and is promptly cancelled, but the DVD sales allow Whedon to convince Universal to let him turn the failed television series into a movie. Despite what has so far been a lukewarm but consistent box office reception, the fan response seems to be that the little TV show that could pisses all over the $100 million plus Star Wars prequels. Admittedly not a high watermark, but still…

I really enjoyed Serenity. It, perhaps unsurprisingly, has the slight whiff of an esoteric television adaption with some characters and references left unexplained, but still does a fine job of standing alone as an entertaining sci-fi adventure. It was funny when it was meant to be funny, exciting when it tried to be, and all of the characters hit all of the buttons they were supposed to. A certain other person known for their last few botched attempts at sci-fi should watch Serenity to see how a good script works.

Something that really blew me away is that this movie cost a paltry (for a modern sci-fi movie, at least) $39 million, and it looked better than most $100 million movies that get crammed into the multiplexes every summer. Through selective but effective use of CGI to do what wasn’t possible to do practically and to enhance actual sets, Whedon got more bang for his buck than any virtual stuntman or blue screen set that I’ve ever seen. At one point there’s a brief but intense space battle which, without trying to turn this into a Star Wars bash again, looks at least as good as the opening battle of Revenge of the Sith, which itself probably cost as much as the whole of Serenity.

So this one gets my hearty recommendation, and I’m sure anyone with a passing interest in sci-fi is planning to see it anyway. The theatre that I saw it in was disappointingly empty for a Friday night showing of a new film but since those that were there had good things to say at the end and seemed to be very into it, I’m hoping that the loyal fanbase and some positive word of mouth can carry this onto bigger things (a second series would be nice, for a start). Now I just want my Firefly DVDs to hurry up and get delivered.

DVD Binge

My making up for lost time with all the DVDs that I missed while saving continues, with the Oldboy, Grave of the Fireflies, and Mind, Body & Kick Ass Moves that arrived yesterday joining the Deadwood Season One that I bought on Tuesday, and soon to be joined by The Simpsons Seasons 5 and 6, Firefly, The Fly: Collector’s Edition, Mallrats X, and Land of the Dead Unrated which are all somewhere in the postal system at the moment. It feels good to have a backlog of movies to watch again.

The one in that list which might surprise some people is Land of the Dead, which was only released here theatrically on 23rd September (incidentally, we were the last country to get it, behind even countries that needed it translated before they could get it released – somehow they wonder why people import so many DVDs) and isn’t even out in the States on DVD until 18th October, but it seems that PlayUSA have performed some kind of alchemy and got it in the post twelve days before release. I was impressed when they got Fellowship of the Ring to me ten days before release but they’ve outdone themselves on this one. I was thinking of going to the Halloween event at Harbour Lights (the same place we saw Howl at the weekend) where they’re showing a double bill of the original Dawn of the Dead and Land of the Dead, but fuck that when I can sit at home and watch them without a bunch of Romero fanboys.

I’m also seeing Serenity on Friday night so impressions should be on here forthwith. The last sci-fi film I saw in the cinema was Revenge of the Sith so I need something to burn it out of my memory. I hope no-one in it screams “NOOOOO!” or I could have a relapse.

20 Today

Today is my 20th birthday, and as I write this I’m in the middle of my third hour of lectures and seminars today, with another five and a half to go. Including breaks between lessons I’m stuck up at uni for over ten hours and won’t get home until 9pm at the earliest which has me pissed off – that amount of time would be bad any day (unfortunately I’m going to have to suffer it every Tuesday for the next thirteen or so weeks) but especially so today.

I just got money from people which is usually more appreciated than anything else with me, because very few people apart from me have any idea what exactly I want. I’ve taken some of it and bought Deadwood Season One on DVD and another load to finally pick up a retail copy of World of Warcraft so that I can go back to playing the trial account from PC Gamer that I was playing obsessively for a couple of weeks. I’m thinking of adding Everybody’s Golf on the PSP to that list on the way home, but at this rate I’m going to be too tired to even think about anything as strenuous as that. Back to work…

Shining

I’m sure it’s one of the signs of the apocalypse when one of the latest Internet phenomena actually shows some talent and won’t make you want to kill yourself (let me remind you that the Crazy Frog started life online as The Insanity Test), but the latest file to crash web servers the world over is the trailer to a life-affirming dramady about a boy who wants a father and a man who needs a muse, Shining.

OK, it’s not. It’s a trailer for The Shining, a film that’s less life-affirming and more life-ending, with more fellating furries than father figures (ooh, alliteration). It really shows the power of editing and according to the story behind it, they guy’s getting a lot of job offers from what started as a simple contest entry. I love it.

Two New Movies

It’s been a while since I’ve seen any really new films so naturally when I do get around to it two come along at once. Like with the games when I went on a mini-binge, with all the saving I did for the best part of a year I hardly went to the cinema or bought any DVDs so I’m making up for lost time, having ordered three new DVDs from Play and bought one at work yesterday.

The DVD that I bought was Ong-Bak, a recent Thai martial arts flick. The story is typical martial arts fare, which has the young man with no parents raised by a monk at the local temple, who happens to be a master of Muy Thai (Thai Boxing), tasked with rescuing the stolen head of the village’s Ong-Bak (Buddha statue) from some Bangkok gang members and bring good fortune back to the village. What makes this film an absolute blast is probably its main gimmick – that the star, Tony Jaa, is the man and fights almost full contact and does all his own stunts, some of which are spectacular. You can actually see his elbows, fists, and feet connecting with the people and sendig them flying, and at one point he sets his legs on fire and kicks someone in the head with them. It’s not particularly big or clever, but it’s excellent entertainment and really got me interested in what other cinema Thailand might have to offer.

The other new film that I saw was particularly exciting for me because it was my first chance to see a Ghibli film on the big screen. I went up to Southampton to a little independent cinema (voted best independent cinema in the country by the readers of Empire, apparently) to see Howl’s Moving Castle on its very limited UK theatrical release. I felt that it was the weakest of Miyazaki’s films that I’ve seen but was still a nice spectacle and great fun to see with an appreciative audience. As with Spirited Away the translation was done very decently with a good cast (I assume that John Lasseter was involved again, and there aren’t many with such an appreciation for animation) and I was surprised at how daring it was in what was essentially a kids’ film to have a war subplot complete with bombing raids on civilian cities – very much an undercurrent of anti-war sentiment in there. Miyazaki really gives his young audience more credit than any western animators that I can think of.

Anyway, both of those are worth checking out. If you want Ong-Bak on DVD the UK release is excellent – it’s the uncut international version (the subplot about Muay’s sister and a couple of limb-breaking shots are restored), it doesn’t have the subtitling issues of the R1 version, and it has the Thai track in both DD5.1 and DTS.

Payday

Today is the last day of the month and that means payday, and as this is my first pay day in a long time when I haven’t had a holiday to save up for (although it looks like I might be going back to Japan for the PS3 launch next spring), it was a good excuse to splash out on some new games, backlog be damned. I still have several PS2 games and a pile of handheld stuff from Japan that I either haven’t even opened yet or have barely even touched.

Anyway, I picked up the newly-released Castlevania: Dawn of Sorrow for the DS (out in the US on Tuesday, I believe) which I’ve only played for a few minutes so far since I prefer to play Castlevania games when I’ve got some time to sit down and sink my teeth into them (pun fully intended). What I can say from playing up to the first save point is that it seems as good as any other 2D Castlevanias and graphically makes some nice use of the extra horsepower that the DS has over the GBA, with some little inconsequential effects like steam on the characters’ breath when they’re out on a cold night. The touch screen is used to draw seals to do things like open doors and deal the killing blow on bosses. One fun little touch (sorry, another pun) was how instead of entering your name for your save file you actually sign your name on the touch screen which I haven’t seen done before and thought was pretty cool.

The other game I bought was Fahrenheit on the Xbox, known as Indigo Prophecy in the US for some reason. The UK version is worth getting just because it’s uncut, as the short delay to the release was to excise the sex scene from the US version in the wake of the fallout from the Hot Coffee “scandal”. The game can be a little bit pretentious, as it thinks it’s a movie (the main menu even says “New Movie” as opposed to “New Game”) when it’s actually more like a Shenmue QTE mixed with a “choose your own adventure” novel, but I’m impressed so far. It’s an interesting premise and a fairly unique and occasionally audacious execution (not to mention some impressive visuals), and even though it’s supposed to be a fairly short story there are enough endings that it could make multiple playthroughs worthwhile. I’ll have to play a bit more of it before I can give any deeper impressions but it seems like I’ll have a good time with it.