Category Archives: Impressions

Impressions of games and stuff that I managed to spend some time with.

Games, Impressions, PC games, PlayStation, Xbox

Jedi: Fallen Order is my favourite Souls game

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While many complain about the dearth of PS5 software – not sure what they expected, given the way new consoles work – I’ve been using mine to partake of some of the best games of the last few years, many of which I skipped due to indifference or poor performance on my launch PS4.

Ratchet & Clank was OK (and free!), Titanfall 2 was superb (also free!), and now I come to another Respawn Entertainment game: the awkwardly punctuated Star Wars Jedi: Fallen Order.

I’ve got so many screenshots that are just me in a high place, admiring a beautiful vista like this.

Fallen Order barely has an original bone in its body. The developers have borrowed freely from Metroid, Uncharted and the Souls series in particular – all classics, to be sure, but if originality is important to you, there’s not much of it here. Even Force powers don’t really do much more than The Force Unleashed did years ago, or any more recent action games with telekinetic heroes.

But, frankly, I’ve always been enough of a Star Wars fan that ‘something good but now it’s in the Star Wars universe’ is a winning formula for me, and none more so here. If I’m going to occasionally get spanked by random mooks, better a Scout Trooper or Nightbrother than some skeleton, I say. Mercifully, bonfires meditation circles are more liberally distributed here, though.

I spent the whole game with BD-1 in Gulf livery, because why wouldn’t you?

And think about those climbing sequences in Uncharted, but now it’s a crashed Venator-class Star Destroyer, and being spotted devolves into actually enjoyable combat rather than a Naughty Dog gunfight. There’s even that Shadow of the Colossus boss where you climb up his beard, only now for some reason it’s an AT-AT.

One moment where I’d choose Kow Otani’s score over John Williams’.

And you know how netting new abilities in Metroid unlocks new areas in previously explored zones? This does that, but new Force abilities are accompanied by flashbacks to Jedi training.

Plenty of Star Wars fan service, too, though not obnoxiously so. You get to play through a formative moment in Cal’s past and Star Wars lore, and it follows Rogue One and Rebels in its brilliantly terrifying treatment of an iconic villain. It even confirms a fan theory that links The Clone Wars and The Force Awakens.

Silly hair, slightly derpy face, but a good performance had me liking Cal Kestis by the end. Strong supporting cast too.

Nostalgia isn’t all it has to lean on, though – which, frankly, is more than can be said about a lot of post-Disney Star Wars. All of these pilfered ideas are executed with quality and the same eye for the cinematic that made Titanfall 2’s campaign so impressive.

There’s a next-gen update for Fallen Order coming in June, so if you’ve so far missed out and are desperate for something to play on that new hardware, it gets my hearty recommendation.

Games, Impressions, PlayStation, Tech

The PS5 saga

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Peanut standing guard
Peanut standing guard

I’ve been buying most consoles at launch since the N64, when Nintendo brought its console to these shores with an initial shipment of only 20,000 machines, and I was able to walk into an independent retailer (remember those?) on a random Saturday a couple of months before launch and put my name down.

An optimist can take the current absurd difficulties in getting hold of a PS5, now three months after launch, as evidence of how the industry has grown since then, but I’ve never seen anything like this. Even the absurdities of the PS2 hype cycle didn’t feel this bad.

The truth is almost certainly a perfect storm of factors causing shortages and supercharging demand. It’s a pandemic, so people are stuck at home and looking for new toys. Also, it’s a pandemic, so manufacturing and logistics have been severely affected. Furthermore, it’s a pandemic, and chip shortages are affecting everything from GPUs to in-car entertainment systems, and no doubt consoles as well.

And, notoriously, this particularly high demand means scalpers abound, and this time more than ever they’re packing bots that can seemingly order dozens of machines while mere humans are still loading the page.

I actually skipped out on the launches of the new consoles this generation, mainly due to being in the middle of moving house and so occasionally having less than no money. I rather naively expected to be able to waltz onto Amazon come February or March and be able to grab one whenever.

This proved optimistic.

I’d followed a number of Twitter accounts and Discord servers that shared intelligence on incoming shipments, and eventually managed to purchase one from Game. I missed out in the initial wave, but grabbed one in the third of the day, after they’ve filtered out the bots and repeat buyers.

But then, an hour and a half later, this same system filtered me out and they cancelled my order. That or, I suspect, they simply oversold their stock.

A couple of days later I managed to get an order in with Very. Unlike Game, Very charged me, so I thought I was safe. But then, like Game, Very cancelled my order. They held onto my money for an expensive PS5 bundle for almost a week after that so yeah, I’ll be avoiding Very in future.

At this point, I was increasingly despondent and even chanced a couple of eBay bids as the average selling price – currently about £200 above RRP – approached what I was willing to pay.

But then, last week, I happened to be looking at my phone when this tweet pinged a notification.

https://twitter.com/ps5instant/status/1362674495161573377

Some of the prominent alert services missed this one, so on the off chance, I checked Smyths’ disc consoles as well. They were in stock and I ordered one without trouble. It was such a low-key drop that people on Discord were questioning whether it even happened.

In other words, I love Smyths now. I’ve always liked them in the absence of Toys R Us and for their convenient location in Bournemouth, but my feelings are now more romantic in nature.

The PS5 is lovely. Not to look at – it’s an ugly abomination – but in its performance and the visuals it can put out. My launch PS4 has not kept pace with the ambitions of developers nor modern TVs, meaning anything recent on my 65″ OLED runs like a PowerPoint presentation on a hazy day, with the audio accompaniment of a jet engine.

This one, though? I’ve never seen such pristine image quality. Close-ups in Spider-Man: Miles Morales look absolutely flawless, with no aliasing, shimmering or any undesirable artefacts like that, and all in 4K, HDR, 60 frames per second. With ray-traced reflections in people’s eyes.

It’s astonishing – certainly the most impressive generational leap in a while, assuming you have the TV to get the most out of it.

Those screenshots are 15MB each in full quality PNG, incidentally 😬

It’s early days on this generation, though, and it’s looking like COVID-related developments will have taken a belated toll on numerous 2021 releases – Gran Turismo 7 has slipped in the last few days and rumours are swirling around Horizon: Forbidden West – so that post-launch lean period could be longer than usual.

At least I’ve got all those PS4 games that I’ve stopped playing in the last couple of years because they ran like arse. Like Shenmue III… 🤔

Impressions, Life, Running, Sport, Tech

Running with the Apple Watch

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Apple Watch Workout appI’ve been running for a couple of years now, having started with a C25K programme and working my way up to regular 10Ks, 10 miles, obstacle runs, and several 5Ks a week. I’m doing my first half marathon in April and, assuming that goes well, might do a full one in October. Rain (sometimes) or shine, on a weekday evening I’m a regular somewhere along Bournemouth seafront, where you’ll find me somewhere between Boscombe and Sandbanks.

Until now I’d been tracking my runs with my phone strapped to my arm with Strava, but waking up on Christmas morning to a brand new Apple Watch provided an opportunity to improve my fitness tracking.

Integrating Apple’s Workout app with Strava

Apple Workout run in progressApple’s Workout app is excellent, offering support for tons of different activities and providing lots of lovely stats afterwards. It can track my heart rate during and after a run, syncs with numerous other devices without needing to pay a premium subscription, and doesn’t provide the bafflingly inflated calorie estimates that Strava is known to do.

My problem was that I had several years of runs and a handful of similarly inclined friends on Strava, and I didn’t fancy losing that social aspect, not to mention my PBs on the numerous Strava segments I regularly run.

Strava has its own Apple Watch app, of course, and it’s perfectly functional and capable of depositing its runs into the Activity app alongside any Apple-tracked workouts. In fact, my first run with an Apple Watch, on Boxing Day, was tracked with the Strava app. But it lacks some of the stats, including heart rate recovery (being a native app, Apple’s Workout can keep tracking your heart rate after the run has ended) and those all-important GPS-tagged route maps. And since I was going to be using Activity for tracking weight training and other workouts anyway (Strava is limited to running and cycling), I was keen to streamline things by using one app for all my exercise.

The solution, then, would appear to be liberating my Apple-tracked data and dropping it into Strava. But that’s not always an easy thing to do with Apple.

HealthFit solves the problem

Trying a failing with a few apps, I came across HealthFit, which, wonderfully, does exactly what I need it to and nothing else – the last thing I wanted was to bring a third fitness-tracking service into this. All it does is export your workouts from Apple’s Activity app in the widely supported Garmin .FIT file format, where they can be saved to your iCloud Drive, emailed or automatically uploaded to a number of different services, Strava among them (the others are TrainingPeaks, SportTracks, Final Surge, Selfloops and Dropbox).

Exporting an Apple Watch Workout run to Strava in HealthFit
Exporting an Apple Watch Workout run to Strava

A few taps and my run is exported, and it’s a matter of moments before Strava pops up a notification that it’s ready to view in its app, indistinguishable from a Strava-tracked run. Better, in fact, since my exported runs feature heart rate charts – a Strava Premium feature if I used their Apple Watch app.

The only niggle was that, since Strava was installed on my phone and allowed to write its workouts to the Health and Workout apps, anything exported into Strava through HealthFit was appearing twice. That was solved by simply revoking that permission in the Health app (in the Sources menu), giving Strava read-only access.

Conclusion

Were I not into fitness, I’m not sure I’d find the Apple Watch worth it. A timekeeping and notification machine is cool, but a questionable value proposition. However, if you throw in comparable fitness-tracking to the high-end offerings from Fitbit – at the time of writing the only Fitbit with built-in GPS is the Ionic watch, which starts at £299, or only £30 less than the much more flexible Apple Watch Series 3 – and it becomes much more justifiable. The fitness-tracking focus of watchOS 4 suggests that a couple of years on the market has led Apple to a similar conclusion.

The Apple Watch is the absolute definition of a technological luxury item, completely unnecessary but kind of cool when you have one. It’s a fantastic fitness-tracker, though, particularly for outdoor activities, and the sheer omnipresence of iOS means, by proximity, any fitness-focused online service is likely to have some level of support. This comprehensiveness, coupled with the constant nudges to close my rings, is often enough to get me out when the cold weather and post-work fatigue might otherwise tempt me to take an evening off.

See you in Southampton!

Games, Impressions, Nintendo, PC games, PlayStation, Xbox

Returning to the Resident Evil remake

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I know I’ve complained about the preponderance of recent remasters, which makes my current enthusiasm for this, the 2015 remaster of the 2002 remake of 1996’s Resident Evil, as well as the long-awaited Majora’s Mask 3D, seem odd. I’ll defend my position, though, since neither of those games has been seen on shelves in more than a decade and at least two console generations – they’re retro, in other words. I’ll be less enthusiastic about a 1080p remaster of Resident Evil 6, should that arrive, believe me.

Resident Evil HD: The mansion lobby

This is a game that I always respected and wanted to like, but timid little 2002-vintage me never made it much beyond the appearance of Crimson Heads. A couple of hours, in other words. A humiliating admission for such an ardent horror fan, but sadly not an isolated one in my gaming back catalogue, which is a who’s who of abandoned horror classics. But while the years might have blunted the absolute dread I felt when playing this to the point where it didn’t really give me The Fear at all, like when I played through the original Silent Hill, though, time has left the solid mechanics alone. It’s a phenomenally well-designed game.

But where Silent Hill, being (a) a PS1 game and (b) doing in real-time what Resident Evil resorted to pre-rendered backdrops to accomplish, looks really rough now, the Resident Evil remake (REmake hereafter) still looks incredible. It’s genuinely one of the most beautiful games ever made, even on a GameCube, and quick polish for a new generation of systems has only enhanced it. Some FMV and dark backgrounds that can look somewhat over-compressed aside, the game looks almost flawless. A handful of rooms are apparently now rendered in real-time, and it’s absolutely seamless – meaning we had a game on the GC that could stand up alongside games from two generations on. Amazing.

Resident Evil HD: Jill Valentine

I’m continually blown away by the details in the visual and story design of this game. The Spencer Mansion, ridiculous as its gems, metal objects and death masks may be, is an iconic location, brimming with memorable rooms and scares. Lisa Trevor and her family add a harrowing subplot that’s significantly more disturbing than any number of exploding heads. It has fun in playing with your expectations, so that you can imagine the designers smiling as famous moments like the dogs through the window are subverted, or when the aforementioned Crimson Heads turn cleared rooms into dangerous ammo sinks. The voice acting still has B-movie charm without being impossible to take seriously like the original, while those touching up the script and removing some of the more egregious howlers had the good sense to leave alone some of the best writing.

As much as I love RE2 and 4, REmake is my favourite in the series. It’s pure survival horror, which, brilliant as it is, Resident Evil 4 isn’t. It’s also tight, creepy and self-contained, which the bigger and crazier RE2 isn’t. It’s also a lesson for newer games in how to do a lot without a huge abundance of content, supporting two stories, multiple endings and a series of enjoyable unlocks in a game that can comfortably be finished in five hours.

Games, Impressions, PC games, PlayStation, Xbox

Wolfenstein: The New Order

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I’ve written before about how much I miss the B-tier of gaming, that time when there was something between a $100 million “AAA” release – the shifting definition of that term is another post in itself – and a quirky indie game from two blokes in a garage. Every so often you get something that channels the spirit of that time, showing that polish, cool ideas and a budget aren’t necessarily mutually exclusive, and I was pleasantly surprised to find that this, which had sat on my pile of shame for a couple of months, is put together in that vein.

I mean it as a sincere compliment when I say that The New Order feels straight out of 2003. It belongs to that glut of post-Half-Life 2 narrative-driven shooters that were ten-a-penny on the original Xbox and actually represented, in retrospect, a reliably good subgenre for one that was rinsed so thoroughly. As well as Valve’s classic, the DNA of games like The Chronicles of Riddick: Escape from Butcher Bay (there’s a Starbreeze connection), Breakdown, Psi-Ops: The Mindgate Conspiracy, Doom 3 and so on is on show here. Even if I limit the discussion to games about leading a resistance against a technologically advanced and oppressive regime, I could equally be talking about The New Order, Half-Life 2 or the much-missed Freedom Fighters.

Wolfenstein: The New Order

This retro feel is carried through to the pleasantly old-school design: secrets, collectables, non-regenerating health, an arsenal of weapons to carry around without regard for encumbrance systems, and giant enemies with exploitable weak points abound. Even the prominence given to dual-wielding feels pleasantly of that era, after Halo 2 made it a banner feature but before dour, grounded militarism became the genre’s creed.

The New Order isn’t thrown together without thought, though, which is perhaps surprising for a series with such straightforward roots. Almost as surprising as the lack of multiplayer in a game whose deathmatches once hooked me so strongly. The design of posters, signage, architecture and even the pop music heard in the background has been built to present a believable vision of the 60s in a world where the Nazis won the war and propaganda infuses all aspects of culture. I read several excellent articles about the music around the game’s release, among them VentureBeat’s, and was blown away at how much effort went into an area that is so easily overlooked.

Visiting Nazi London in Wolfenstein: The New Order.

Wolfenstein is undoubtedly a game that would have made my abridged best of 2014 list had I plunked down the cash before the Boxing Day sales. I’m tempted to drop a cliché about how it’s not big or clever, but really, it kind of is. The old-fashioned parts are lovingly, knowingly so, and the thought put into its vision of a Nazi-dominated 1960 is up there with the big releases. There’s nothing in The New Order that’s been thrown together arbitrarily.

I’m happy, therefore, to declare that gaming’s B-tier still lives! For one game, at least.

Books, Games, Impressions, Nintendo

Console Wars

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Console WarsAs much as I love my well-thumbed copy of Game Over, it’s over 20 years old. Its account of Nintendo’s rise lacks two decades of changing perspective, context, new information that has emerged as people retire, move on and, separated from events by years and expired NDAs, give increasingly candid interviews. It’s from a world where the Atari ET landfill story is apocryphal.

Console Wars’ chosen subject is different, coming in when Nintendo has already risen to its zenith and concentrating on the competition with Sega in the early 90s. There’s none of the smart, nimble Nintendo that came out of David Sheff’s book; this is the empire whose monopolistic tendencies alienated enough third-parties to create the way in that Sega and ultimately Sony exploited.

There’s a major movie in development (at Sony Pictures, amusingly) based on this book, hence the foreword by Seth Rogen, which is extraordinary to me. There’s the kernel of a film here – indeed, everyone knows the snappy line to win an argument in a way that no one does in real life – but while The Social Network proved that the rise of a major tech company can make a fascinating cinematic experience, Blake Harris and the team behind Superbad aren’t David Fincher and Aaron Sorkin. Time will have to tell on that one.

The book itself is solid but unspectacular. The aforementioned tendency for everyone to speak like polished movie scripts can grate, as can the Hollywood stereotypes that uniformly present the Americans as hard-working creatives and the Japanese as stoic, conservative and petty. It may be true that Sega of Japan was the architect of Sega’s post-16-bit downfall, and the book makes a convincing argument for this viewpoint, but a bit more nuance would have been nice.

But I still learnt a lot, even as someone who grew up consuming everything I could about gaming in this period. Did you know, for instance…

  • …that Nintendo was once so big that it accounted for 10% of Walmart’s total profits?
  • …that Sonic 2 was both the first global launch and the first set-in-stone release date in gaming history?
  • …that Sega passed up the opportunities to release the hardware that would become the PlayStation and the Nintendo 64?
  • …that Sega’s Tom Kalinske was responsible for the Nintendo-Silicon Graphics relationship that gave us Donkey Kong Country and the N64?
  • …that Sonic’s iconic silhouette was achieved by combining Felix the Cat and Mickey Mouse? And his middle name is actually ‘The’?
  • …that the born-again Christianity of Konami’s president turned Dracula Satanic Castle into the more enduring and Jesus-friendly Castlevania?
  • …that the US government’s antitrust lawsuit against Nintendo was completely by accident filed on the 40th anniversary of Pearl Harbor?

Those little snippets are the kind of things that I lapped up. There are enough of them sprinkled liberally throughout that I was willing to overlook the liberties taken by the author. Well worth a look for anyone who honed their debating skills on the school playground in the early 90s.

Game Over’s still the daddy, though.