Category Archives: Xbox

On Gears of War 2

I finished Gears of War 2 the other day. It took me far longer than it should have done because of a slightly doughy patch in its middle that I needed a push through, but overall it was a better game than the first in every way. Crude and brainless, yes, but is that a bad thing?

There are a lot of gamers who will hold up games like Gears 2 as the worst thing to ever happen to gaming, somehow responsible for denying the medium its rightful place among the ‘respected’ entertainment media, but I think that there’s always a place for this kind of thing. Besides the point that no one except gamers takes it that seriously, you’re barking up the wrong tree if you think that games aren’t respected enough because of testosterone-fuelled action games.

Gears of War 2 - The Hollow

Aliens, Terminator 2, Die Hard, Star Wars, Indiana Jones, The Matrix… All of these movies are, to various extents, considered to be classics, if not in general then certainly of their genre. They might have some cod philosophy to please the chin-stroking crowd, but at the end of the day you watch them to see people with guns doing cool shit.

Gears is the same as that. It’s as subtle as a brick, but it looks amazing – see the above shot – the tight action is second to none when it’s on a roll and, on the whole, I just had a brilliant time with it. Is it art? Who cares? I’d prefer movie posters and comic book artwork on my walls to Monet, and I’d prefer Gears to a game that’s trying to be clever for the sake of it. At least Gears of War is honest about the fact that it’s a game, and the point of them is to be fun.

If you’re looking to Gears to bring you closer to enlightenment you’re barking up the wrong tree – hell, it’s barely even a tree in that case – and I won’t come away from it as a better person, but I got to ride a fucking Brumak!

Sending EA The Wrong Message

It’s fair to say that I’ve been critical of EA in the past, accusing the company of everything from single-handedly bringing down the industry to the ritual murder of virgins… maybe. It’s been massively improved recently, though, somehow turning Pro Evo into the football franchise that’s resting on its laurels with the really rather good FIFA 09 and, for every questionable decision, releasing a few games that are actually pretty risky and unique.

Dead Space

In the last year, for example, Burnout Paradise was a major departure from the previous games’ successful formula, and it has since been supported by some incredibly diverse downloadable content, most of which has been free. Bearing in mind that this is the company that has charged for in-game money and that’s incredible.

Rock Band 2 came out and, understandable licensing fee aside, Harmonix was allowed to patch in the ability to export almost every game from the original game for the new one, which made me happy.

Then, this Christmas, we’ve had Dead Space and Mirror’s Edge, both new IPs that bring new things to their respective genres – if Mirror’s Edge could even be considered part of a traditional genre – and have allowed a couple of clearly talented studios to cut loose from their usual licensed pap and Battlefield drudgery respectively and flex their creative muscles.

So it’s good that the new, risk-taking EA is reaping the benefits, then, right? Oh…

It’s not all that surprising considering that people are going to be picky about their games and new stuff like this has to go up against guaranteed sellers like Gears 2 and a new Call of Duty, but it’s still a huge shame. I’ve seen some pretty good deals on both of those, and Dead Space in particular is brilliant, so if you’re looking for some late Christmas presents at least consider them because otherwise the new EA will take over from Activision as the new old EA… or something.

New Xbox Experience

Avatar

Along with wireless controllers, upgradeable firmware has to be one of the best things to come out of this generation. The 360 and particularly the PS3 have come on massively since their launches, far beyond the days when a CD player and memory card manager were the best you could hope for. The ‘New Xbox Experience’ is the biggest update yet, completely overhauling the old dash – a good interface stretched thin as more functionality has been crammed in – keeping the bits that worked well and stealing cherry-picking a few ideas from the Wii and Sony’s XMB.

First of all, Avatars. I don’t care for them, and I don’t like the visual friends list because it’s a lot more unwieldy than the text-based version. They don’t have the personality of Nintendo’s Miis, which would justify such a prominent implementation, and once the novelty wears off I just imagine that they’ll just become more screen furniture. But hey, they might not do it for me but they don’t hurt, so whatever.

What I’m really interested with are the two features that are most clearly aimed at gamers like me: installs and system-wide parties.

I hate the forced installs that that are so common on the PS3 – I had a bit of a rant about it here – but the handful of PS3 games that have an optional install that lets me shave off a few seconds of loading if I want to but can also be popped in and played immediately cut a happy medium, and that’s fine.

What the NXE has done is expand this feature to almost every single game on the 360, past and present. Every game can be played completely from the disc, but since I have that lovely 120GB drive and am not inclined to download movie rentals, I can now play with loading times ranging from a few seconds saved to dramatically improved, and, most importantly, without my 360 sounding like a jet engine. The NXE actually makes late-night 360 gaming when everyone else is in bed viable. Never thought I’d see the day. Continue reading New Xbox Experience

How’s This For a Deal?

Rock Band 2 = £37.99 from Game

– £3 credit for a late price reduction on Fallout 3
– £15 Reward Card credit from the last few months’ pre-orders
+ £3.40 (400 MSP) for Rock Band export key
£0 to rent Rock Band on a free trial of Game’s rental service 

That gives us Rock Band 2 and almost the whole track list for Rock Band – 139 tracks in all – for a total expenditure of £23.39. Admittedly I’m getting by with my Guitar Hero II guitar instead of the Rock Band model, and I had to spend a tad more than I saved to build up that much credit, but it’s still nothing to be sniffed at.

I have no idea what’s been happening with this Rock Band 2 launch, though. It didn’t even seem to have a firm release date at all until a couple of weeks ago, and then after I eventually pre-ordered it I got an email saying that my order wouldn’t be fulfilled for launch day, and neither of the branches of Game in town even had copies, despite their large presence for the first game and its various bundles and versions. This is a major EA release coming out in the run-up to Christmas that’s been promoted on TV and I can’t even see a poster for it?

Probably just a delay in shipping to retail. Blame Somali pirates or something…

When Worlds (at War) Collide

It wouldn’t be the first time that it’s been suggested that some people at Infinity Ward may not be too keen on other developers messing up working with their colossally successful Call of Duty franchise in the name of annual updates, Activision becoming the new EA and all that, but this is hilarious.

The Infinity Ward community manager, Robert Bowling, made a post on his blog criticising the tendency of one of the Activision producers on World at War for making unflattering comparisons between the new game and the IW games. Here are the choice quotes:

First of all, you didn’t work on “previous Call of Dutys”, so don’t talk as if you’re down with how / why things were designed the way they were. Second, you’re completely fucking wrong.

[…]

A rule of thumb I like to use is…. when promoting your game. Promote YOUR game. Don’t compare it to another game, or reference what OTHER games did in the past, pitch YOUR game. I mean, you have lots of cool things you could talk about… like Nazi Zombies….

Can you guys please stop interviewing this guy, talk to someone who actually works on the Dev Team at Treyarch and knows what the fuck they’re talking about. Not Senior Super Douche Noah Heller from Activision – who apparently has never played the game and doesn’t even work at the developer.

That is awesome.

You have to love the dig at the Nazi zombies – for those who don’t know, there is literally a mode where you must defend your position against waves of undead German soldiers (video) – because I couldn’t believe that when I saw it. In a game that’s already treading a fine line with its depiction, however accurate, of Japanese soldiers in WWII, I can’t help but feel like that mode was pushing a boundaries of taste just a bit.

This is hardly Wolfenstein with its BJ Blazkowicz and Mecha-Hitler; the Call of Duty series was originally about being a more realistic gaming depiction of World War II by having the player not be the lone, Rambo-like hero but be one of many. So much for that idea, then…

Fable II is Amazing

Ladies and gentlemen, we have an early frontrunner for my 2008 game of the year.

It wasn’t long ago that I wrote about the poor state of Japanese gaming, with particular mention of how the RPG genre was thriving in Western hands thanks to its splicing with more mainstream genres, and Fable II is an ideal demonstration of this. While JRPG developers are seemingly content to remake their sacred cows until FFXIII comes and shows them what to do next, Lionhead has picked the best tropes of the traditional RPG and discarded the rest, replacing it with cherry-picked elements from straight action games and thereby opening up a staid and traditionally hardcore genre to a new audience.

Fable II

Its simplicity is one way that it does this. Far from over-simplifying things, the controversial one-button combat – actually more like three buttons, to be fair – takes the battles away from both turn-based menu-digging and the mindless slashing of something like Oblivion. The closest comparison I can think of is a fighting game, thinking ahead as you input a three-hit melee combo followed by a rifle blast to the chops and a quick blast of fire to give yourself some room, all with only three different buttons. There’s no memorising button combos for certain spells provided you take the time to get used to how the spell-charging works, and it means combat never becomes a chore.

There’s now a minimal penalty for death, which is a small hit to your experience, and this coupled with the lack of levelling – although you do get more powerful as you trade experience for enhanced stats and spells – means that you’re never fighting the game to progress and it’s not a game that’s likely to sit unfinished because you got stuck.

But if the measure of an RPG is its towns, which is a theory that I definitely subscribe to, Fable II is right up there with the best. Coming off a spell in the wilderness to find a nice little hamlet to do some shopping and rest up has always been the best part, and good ones will guarantee that an RPG lives long in my memory, whatever flaws it may have – who didn’t love Skies of Arcadia despite the obnoxious random battles? The feeling is the same in Fable II, showing off just how beautiful the game looks. Continue reading Fable II is Amazing