Category Archives: Xbox

Best of 2008 #5: Gears of War 2

Gears of War 2

At the risk of making this entry sound negative, even if Gears 2 improved on the original in pretty much every way, I just didn’t like it as much. It looks staggering at times, the vehicle sections were actually far from being atrocious this time, and Horde mode is a work of genius. But the lull in the fourth act and a multiplayer mode that just didn’t do it for me after a year of Call of Duty 4 and Halo 3 means it doesn’t quite hit those heights.

Like I said, though, I didn’t dislike it at all. When it’s on song and you’re playing on the right difficulty the combat in this game is second to none, as visceral and thrilling to play as you could hope for. Enemies are just intelligent enough to keep you on your toes while still being possible to take down with some clever teamwork or led into a trap, and while some of them annoy on higher difficulties, there’s enough variety to them to bring distinct tactics into the mix.

I’m sure that in two years – or maybe early on in the next Xbox’s release cycle – I’ll be wanting another Gears game to sink my teeth into, but I can’t help but hope that Cliff Bleszinski and his team can find enough new content and extend the 360 hardware enough to make the inevitable sequel worthwhile. If not, let’s see what Epic can do with Microsoft’s money and a game where the height of the dialogue is, “They’re sinking cities with a giant worm!”

There I go, sounding all negative again, but constructive criticism is what will make the next one the revelation that the first game was rather than the impressive but safe sequel that this game turned out to be. Make sure to keep Horde mode next time, though. It’s awesome.

Best of 2008 #6: Left 4 Dead

Left 4 Dead

Co-operative multiplayer has been an increasingly common feature in shooters, allowing teams of players to experience the main campaign or even whole new ones as a team and bringing in better moments of both teamwork and, more often than not, betrayal than any scripted NPC could possibly do.

Left 4 Dead is one of the few that makes this the whole point of the game, to the point that it’s barely worth playing if you’re a completely solo player. Assuming you have the requisite network connection, though, I can’t recommend it enough. As both a loving pastiche of zombie movie stereotypes, even down to the deliberately cheesy taglines of each ‘movie’, and a game that few can touch in terms of the threat level presented. You may always have your buddy for comfort, but hearing the wails of a nearby Witch never fails to frighten.

Yes, there’s not a lot of raw content here, as all of the campaigns can be burned through in under ten hours, but it’s as close as you’re ever going to get to that hyperbolic statement that it’s different every time actually being true. The mechanics of how you pass through the level’s challenges never change, but you genuinely won’t know what’s coming next thanks to the genuinely evil AI Director.

It’s happened to me where we’ve had a generally easy passage through the level, and we’re on the home straight. The location of our last stand is in sight, but then we hear the telltale sobs of a Witch and spot her, right in the middle of the only safe route through the oblivious zombies around us. We back up and prepare to sneak past one at a time, until we hear the roar of a Tank approaching us from behind. No healing items, limited weapons, and stuck between a big fucking rock and and a hard place with claws.

The game may hate me, but I can’t help but love it. That’s why this year’s biggest surprise hit comfortably makes the list.

Best of 2008 #8: Braid

Braid

To say that this one came out of nowhere is an understatement. I’d barely heard of it before I showed up on Live Arcade, a trail of impressive reviews in its wake and podcasts and blogs across the land erupting in praise and talk of ‘symbolism’, again bringing up that godforsaken ‘are games art?’ debate.

I may not know art, but I know that I like this. While it may be short, it’s a completely ingenious game, with such incredibly well-designed puzzles that there’s nothing in there that a day or two off and a return with a fresh mind won’t cure. If you’re trying to collect a piece with great feats of complicated dexterity and precision jumping prowess, chances are you’re doing it wrong.

Every world had its own gimmick that was completely different from every other and could turn the gameplay on its head, and yet it all seemed to fit together into a cohesive hole.

I wasn’t a huge fan of the much-lauded art style, but I loved the choices of music and, most of all, the story. Tim’s quest for his princess made no sense at all for five of the six worlds, and even in the final one an explanation remained elusive until the final sequence, which is still one of gaming’s few great rug pulls. I encourage you to experience it for yourself, but failing that check it out here.

Considering how long the game had spent showing off its ability to warp time around you in creative ways, seeing it do it one last time remained the most shocking of all.

Best of 2008 #10: Mirror’s Edge

Mirrors Edge

As the most risky of EA’s two big new IPs, the other being Dead Space, Mirror’s Edge already looks to have been a bit of a commercial disappointment. If that means that it doesn’t get a sequel, I think that will be a tragedy, because the thing that this fledgling series really needs is a second game to iron out the handful of flaws that this one has.

I’m reluctant to criticise it too much for its short length, both because it’s already cheap and because, as I’ve always said, I’d much rather have a brilliant six-hour game than a padded-out 20-hour one that outstays its welcome. As Sonic Team has no doubt discovered with its next-gen Sonic games, it gets expensive to model all these carefully balanced environments that players aim to blast through as quickly as possible. Would this have been a better game with a lengthening gimmick? That’s a definite no.

The combat is the other weak point and really all that keeps it from placing higher on the list. The game is at its best when you’re leaping across the rooftops and pulling off these leaps and vaults without breaking stride, and some slightly dodgy disarming and shooting – not that you should be doing that here – against increasingly tough enemies only takes away from it and really hurts the pacing. The time attacks could well be what justifies spending the money on this game, because seeing that a friend can get through a level a full minute faster than you is all the encouragement you’ll need to have another run.

Those issues aside, Mirror’s Edge is a fabulous game. It’s one of those where you’ll just feel in tune with your character and know instinctively whether or not you can make a jump; the best at that since the almighty Crackdown. By the end, when you’re doing time attack runs, you’ll spot routes that you simply wouldn’t have seen the first time through because you’ve just become that much better at it.

And that’s why this needs a sequel. It’s a great game marred by some poor design decisions, and I hope that it made enough money to warrant another one with those kinks ironed out. It has the potential to be phenomenal.

Best of 2008

Believe it or not, there are only ten days remaining in 2008, which can mean only… oh.

No, unlike the last three years, I won’t be counting down the last few days of the year with my favourite games that this trip around the sun has brought. It was always fun to knock it together while infused with ‘Christmas spirit’, but the fact that the timing precluded the great games that I got for Christmas – probable inclusions like Final Fantasy XII and Mass Effect among them over the last couple of years – means that I’m instead going to do it during the first ten days of 2009.

In the meantime, look over my picks from 2005, 2006, and 2007. Some of them I’d change in retrospect, but at least you can get a reminder of how this year stacks up.

The Evergreen Street Fighter II

Guile

Speaking as a fan of Street Fighter III, which is a beautiful, deep, competitive game that didn’t receive nearly the attention that it deserves, it really has nothing on its predecessor. A rough calculation tells me that I’ve already bought Street Fighter II three times this decade, and playing the new HD Remix has really reminded me of just how brilliant this game is.

Besides its better, more iconic characters that have gone on to become archetypes in themselves, Street Fighter II is a game that just never seems to age at all, no matter how many times I play it, and that amazes me every time I return. The lick of paint for the latest release obviously helps, but looking beyond graphics it’s as much fun today as it ever was. Everyone must have at least some experience with this game, and you only have to play for a little while to feel at home again, even if you haven’t played since it came out, which is pushing two decades ago. It’s impossible to have ‘just one more game’, especially now that we have a version that works extremely well online.

What’s impressed me more than anything, though, is how playing online has shown just how deep a game it is, even compared to one that is so deliberately tough to master as its sequel. People know every in and out of every character and move, and some of the high-level players you’ll meet online can completely humble you, switching styles as they go and thrashing you, even with characters that I wouldn’t touch with a ten-foot pole. Even after all these years I can’t work out how to effectively play as a ‘charge’ character like Guile, and yet I can go online and be routinely humiliated by one of them. Such is life…

It seems like HD Remix has been timed to hype up a certain other fighting game due in February, and if that was indeed one of its purposes it’s worked with me. The previews are coming out and suggesting that the talk about Street Fighter IV going back to the deep yet accessible roots of Street Fighter II, appealing in the process to both the hardcore and casual fans – that’s ‘casual’ in the old sense, not the ‘plays Imagine Party Babyz’ kind – may actually be true. While that ‘back to basics’ marketing trick has lost its power not to make me suspicious after its repeated use on Sonic games, there just isn’t a better foundation for a fighting game than this.

Because of this, no matter how good SFIV ends up being, it won’t be its immediate predecessor that it’s held up against. Aiming to succeed Street Fighter II is ambitious, given that even the best new fighting games struggle to be played for three years, let alone seventeen, but again, this is the sheet to crib from. I hope it succeeds, and I bought an arcade stick as evidence of my faith – okay, so HD Remix had something to do with it as well – but I have my suspicions as to which Street Fighter I’ll still be buying with each new generation when 2025 rolls around.