What is likely to be Bungie’s last entry in the series that it grew from niche Mac RTS to one of the biggest FPS franchises in history proved to be a fitting goodbye. It was almost like, freed of fitting another game into the Master Chief’s story and carrying the Xbox brand now that games like Gears of War can share the load, Bungie was able to flex its creative muscles, and while I’ll concede that it’s still super soldiers killing aliens, it was the most fun I’ve had with a game in this series since I first took it online.
Multiplayer-wise it’s certainly my game of the year, and I’ll take this straight challenge of who knows the maps and weapons better than the next guy over the unbalanced quick fix of Call of Duty, let down only by a limited map selection. Halo 3’s integration of multiplayer and its lobbies into everything is only just coming into touching distance of other games and the setup is just as formidable here.
Going back to the point about originality, it’s true that Reach doesn’t have a lot of it in its story. Nonetheless, as a Halo fan I adored it. Seeing a team of Spartans doing what I’d so far only read about would have been enough to make me go a little bit in my pants but, cliched as they were, I cared when they were inevitably cut down. Set against such a beautiful and varied backdrop and with so many memorable moments – the level that takes you from ground level into a space battle and on to low-gravity combat in a vacuum before its explosive ending is an obvious high point, but the melancholic final moments also deserve love – I have to give Reach as both my favourite Halo game and one of 2010’s greatest.
Considering that I generally don’t get on with the genre at all, the fact that I liked Bayonetta as much as I did is a minor miracle. Or maybe it wasn’t, because the Platinum Games connection always seems to guarantee a deep and polished experience, regardless of genre, and Bayonetta trumped the rest in almost every respect.
It may be fashionable to hate this series and, frankly, quite sensible to hurl some well-deserved opprobrium at Activision, but there’s still nothing better when it comes to the Michael Bay style of action. While Halo is, I maintain, better at actually engaging the brain, Call of Duty is still the place to go for a shot of adrenaline.
Given that I had precisely zero expectations about this game, and that I only raised my head from my desk in the office to look at it after someone announced that they had unlocked all of its achievements within a couple of hours – I’m still a bit of a whore like that – it must win an award for being a stealth hit. Perfect scores and nights spent trying to one-up friends followed, making it probably the best and most-played score-attack game since the original Geometry Wars.
Many talk about how unexpected this was, given the series’, shall we say, inconsistent relationship with the third dimension, but in reality there was no time like the present. The ongoing commercial success of the God of War series and a spate of critically acclaimed games in the genre showed that there was a viable blueprint to follow, and with that, all it needed was some talent.