Category Archives: Editorials

Editorials meaning extended rants.

Thoughts before tomorrow’s announcement

So in all likelihood we’ll be looking at the first of the next-gen consoles by tomorrow. Sorry, Nintendo, but it’s true.

I’d forgotten how exciting all this can get. There’s news to talk about, specs to argue over, and fanboys getting far too emotionally invested. I expect the usual sieve-like memories as gamers gush over the graphical prowess shown off in CGI trailers and imagine that developers will use this newfound hardware power to make things run at 60 frames per second, only to be disappointed when neither happens. Again.

Sony

Now I’m assuming that we’ll get some glimpse of the PlayStation 4 tomorrow. If we don’t, a lot of the media is going to be looking very silly, and the initiative is with Microsoft. I don’t expect that, though. Just like glimpses of The Last Guardian, new hardware announcements have to happen some time, and this generation has gone on quite long enough.

Although I’ve happily played for both sides this generation, it’s clear from my collection – 105 Xbox 360 games to 30 on the PS3 – that the 360 has been my console of choice. Unless the PS3 version of a game has been demonstrably better (Portal 2) or once, as in the case of Dark Souls, out a desire to keep both instalments in a series on the same platform, I’ve plumped for the 360 editions of multiplatform games. Controller preferences, a better online experience and generally superior 360 ports made that an easier approach.

Now that we’re on the verge of a new generation, though, I find myself much more excited about the prospect of the PS4 than whatever Microsoft announces in the next few months.

In the last couple of years I feel like we’ve had a glimpse at what a console landscape dominated by Microsoft would bring. Kinect integration everywhere; dashboard updates whose main function is seemingly to put more adverts into a service you’re already paying for; an increasingly dull first-party line-up that consists of four or five franchises on a rotation you can set your watch by; more and more functionality hidden behind a service that, though good, is increasingly hard to justify for £40/year; restrictions on developers that want to offer free DLC. Word on the street is that, as a rule, Microsoft will only allow DLC to be free when it’s offered as such on rival platforms, and I think that is the best possible evidence of the importance of competition.

At this point in the previous console cycle, Sony was insufferable. The astonishing arrogance that came out of the domination of the PS2 era and culminated in that price tag and a console that wasn’t a complete failure, but was certainly a disappointment based on previous sales performance. That coupled with two consecutive tonkings in the handheld space give me the feeling that Sony has learnt some humility.

The talk is that the PS4 is built on familiar architecture, not the powerful but esoteric nightmare that was the PS3. It sounds like it’s built to be straightforward to develop for, rather than as a vanity project for Sony’s hardware labs. That hardware allowed for spectacular first-party productions but meant multiformat development still suffers next to other versions of the same games. This time, if the rumours are correct, platform parity is much more likely, and we can still count on the talent of Sony’s affiliates to push boundaries more than I suspect we will from Microsoft’s, who have been gutted over the years while Sony’s have expanded.

Take these things on board, and improve the user experience of the PS4 – no important functionality sloppily implemented at a later date (trophies) or not at all (cross-game chat), no mandatory installations, and no downloads that lock you out of doing anything while they unpack – and I feel like Sony has a good chance of rising back to the top this generation. It was quite rightly chastised last gen, and in a climate where conventional gaming has more competition than ever for people’s entertainment time, a resurgent Sony, focused on producing a fantastic, powerful games console above all else, is a very good thing.

No games on the high street?

Word on the (high) street seems to be that the troubled HMV is looking to get out of the market, meaning there will shortly be nowhere to buy new games here in Bournemouth town centre. Tesco Express might get in a new FIFA or Call of Duty, but if you want something more obscure or older than a couple of months? No chance. There’s CEX for used stuff, but that might be threatened and doesn’t do much to help the industry.

I’m really torn on this issue.

On one hand, it’s a very bad thing that gaming now has so little high street representation. The likes of Dixons are long gone, of course, so when the new consoles arrive there will be nowhere plugging them from ornate window displays – nor, indeed, anywhere to actually, you know, buy them. I don’t drive, which makes the out of town shopping centres with large supermarkets and the few surviving Game stores a pain, so online is my only option. It would be my first choice, admittedly, but the choice would be nice to have.

Game closed

But another part of me is glad. So many major retailers have gone down the pan in recent years that it’s tempting to put the blame solely on the economy. It’s not the only reason, though. It hasn’t helped, for sure, but what we’re seeing the rejection of the outdated mode of selling, where the £49.99 RRP is seen as something other than wishful thinking on the part of publishers, to be chuckled at and disregarded before selling it for £40 or less.

I buy the vast majority of my games online, and you get so used to paying £37.99 for a new release from ShopTo that a rare expedition to find the endangered species that is a branch of Game can be a genuine shock. I remember going into one with the intention of grabbing something I’d neglected to preorder online and walking out empty-handed because the £50 price sticker felt so absurd. I hadn’t paid that much for a game that wasn’t a rare JRPG in so long that I’d genuinely forgotten that suckers actually still did it.

Analysts like to blame the proliferation of 69p iOS games for this sticker shock when it comes to buying console games at retail, but even among friends and family who don’t consider themselves hardcore gamers, they still buy as many as they ever did. They’re just not doing it for the same silly money. People are buying games from Amazon, ShopTo and the like because they’re cheaper and more convenient. They’re better in almost every way, and that’s why they’re winning.

This ultimately won’t affect me directly because I’ll be buying my next-gen consoles online and I expect all my game purchases to come from online retailers or, if they can be trusted to price them competitively without retailers to keep happy, completely digitally. Part of me will miss a presence for gaming on the high street just like part of me – OK, all of me – misses the independent retailers that used to be everywhere. Times change, though, and it’s a natural evolution that could turn out for the better.

The dark side of blocking used games

I don’t tend to buy games used unless it’s unavoidable, which I suppose makes me fairly indifferent to the fearmongering that comes along frequently regarding the eventual prohibition of playing used games on consoles. Now that this could actually happen, I’d like to draw attention to my caveat in the previous sentence: unless it’s unavoidable.

The last used game I purchased was the original Darksiders, which was a couple of years old at the time and not available new anywhere, as far as I could see. I wanted to play the game because of the good things I was hearing about its sequel, so I got a copy on eBay for around £5. I’d have happily paid £10, £15 for a new one, but that wasn’t an option.

Availability of back catalogue games is a serious issue (see also: Pirates or Preservationists?), even beyond the way that the generational march and decline in backwards compatibility cuts us off from running yesterday’s games on today’s hardware. It doesn’t happen with film, where just about any major movie from the dawn of cinema up to the current Oscar contenders is or shortly will be available to play on a shiny disc, and the same goes for music and books. I can find The Beatles, Beethoven and Jane Austen readily, even separated from them by decades or even centuries.

The next-gen consoles will likely offer all retail releases as downloadables for those who are so inclined, treating the symptom of availability, if not curing the disease that my PS4 likely still won’t play my PS3 games. Hopefully, by the time we’re looking at the next next generation, it’ll be possible to log on to each system’s respective online service and download a minor gem from 2013 that I might have missed the first time.

There’s one problem, though…

Download prices

I don’t trust the platform holders to loosen the reins on digital pricing in the way that Valve has done with Steam. They’re too beholden to keeping retail partners happy to let publishers sell a game for 75% off mere months after release. Stories already abound of digital-only games being stuck to rigid price tiers or limited in what free content they can offer, as the platform holders – Microsoft in particular, it must be said – are out to monetise everything.

Or maybe I’m wrong, and cutting the used game market out will allow for more aggressive pricing of digital games. If books, music and movies going digital has taught us anything, after all, it’s that publishers are keen to pass the benefits on to consumers, right?

The money men won’t see the value in selling games for deep discounts, for not sticking to the American model where the RRP/MSRP is not so much a suggestion as a commandment. It’s not like here where new games are routinely £10 or more under the recommended price on day one. Who actually pays £49.99 for a new Xbox 360 game?

A few exceptions due to licensing aside, every Xbox Live Arcade and PSN game released for their respective platforms is still available. They’re usually still the same price as they were on day one, which kind of proves my point, but at least the issue of long-term availability of games could be close to being solved. That said, my experiences with always-online games haven’t been good, and I can’t help but think back to the odd enforced disconnections, like when I’ve moved home and had to wait to be hooked up, when I’d suddenly find my £50-a-time ways to pass the time being unavailable when I most need them.

Hopefully this turns out to be nonsense, because a console that can’t work offline from Microsoft makes the choice of which next-gen console to buy first much easier.

Ni No Kuni shows what we’ve been missing

I’m looking at the JRPGs from last generation on my shelf: Final Fantasy X and XII, Persona 3 and 4, Digital Devil Saga, Skies of Arcadia, Grandia II, Shin Megami Tensei: Nocturne, Dragon Quest VIII, Kingdom Hearts I and II. The generation before that was arguably even better – Final Fantasy VII-IX, Chrono Cross, Xenogears and Panzer Dragoon Saga, to name but a handful – and the quality of the JRPGs on the SNES before that goes without saying. The Mega Drive was no slouch either – Phantasy Star, anyone?

I think I’ve made my point. So what went wrong?

Ni No Kuni

It’s fairly obvious when you look at what a bloodbath this generation has been for developers; the costs of development make the vast worlds and sweeping quests of yore impractical. Prior to this, I’ve enjoyed Lost Odyssey, and already I’m having to stretch the definition of a JRPG to include titles like Valkyria Chronicles, Demon’s Souls and Dark Souls. The Wii had a triptych of notables under the Operation Rainfall banner for those who still have theirs hooked up, but those have the advantage of playing with the previous generation’s production values. Probably my most played JRPG of the last few years is my trusty DS copy of Chrono Trigger, which remains a staple of my portable gaming rotation.

Ni No Kuni is proof that Japan’s RPG developers do still get it; that it can still be done. This is every inch a traditional JRPG, so traditional that it almost feels innovative these days, with towns, a vast map, caves and dungeons, a lengthy story, tons of characters, FMV cut-scenes, a colour manual and even a lavish special edition. Admittedly, acting impressed that Level-5 with the backing of Studio Ghibli can get it done is a bit like praising Manchester United for winning a Sunday league game, and the days of small developers independently putting out epic productions are likely gone – someone please, please prove me wrong – but that doesn’t diminish the achievement of releasing such a shining example under these circumstances.

Prior to release, the superb reviews pushed Ni No Kuni to the top of the Amazon charts in several countries and ensured that the limited edition, which again breaks from this generation’s traditions by actually being limited, has sold out more than one batch before it even made it to store shelves. As I write this, it’s also managed to top the UK charts. It’s heartening evidence that there still is a market for RPGs.

Since the game’s only been out a few days, I’ve merely scratched the surface by putting in half a dozen hours, but what I’ve played has been both impressive and wonderfully nostalgic. I honestly haven’t found a JRPG that’s been so nice to simply exist in since Skies of Arcadia provided the cherry on top of the Dreamcast’s spectacular 2000.

Too bad the generational goalposts are about to be moved again, likely putting us back to square one…

On Spoilers: Stop Being So Sensitive

I don’t think it’s my imagination that there’s been a marked increase in the absurdity of the lengths people go to to avoid spoilers, and it has to stop. It’s stifling conversation and making the discussion of current media more and more difficult as people try to accommodate those for whom so much as the name of a character can ruin the enjoyment of a game, movie or TV show.

Darth Vader

It’s The Hobbit that’s inspired this rant, for much the same reason as I was annoyed back when Lord of the Rings was being adapted. Back then, a book written when Hitler ruled Germany, Britain governed India and the United States had 48 states and whose ending had been a popular slogan that you could literally see painted on walls for decades before was suddenly a closely guarded secret. Nobody cared what happened to Frodo and co in, say, 1999 and it could be thrown around with impunity, but then reality itself has to be warped for people who suddenly care.

All of this has happened before, and it will all happen again. Continue reading On Spoilers: Stop Being So Sensitive

Back on the Sidelines

Those who follow me on Twitter will have seen that, as far as gaming is concerned, a couple of weeks ago I returned to civilian life. I spent a good decade trying to get into the gaming media and, after doing my stint on the fringes, I’ve moved on.

There were a number of reasons, some of which I won’t talk about in public any time soon, but I’d been unhappy for a while and seized the opportunity to move on when it came along. Coinciding with Doritosgate was purely accidental, although that does act as a neat summation of several things I got tired of seeing on a daily basis.

The main problem, though, was that I could see myself rapidly burning out on gaming, especially when I looked at what was – or rather wasn’t – on the horizon for this year and next. If a gamer with as much history, as much investment as me was getting tired of it, a field as under pressure as the print media isn’t the place to be. Since taking a step back from gaming, no longer spending all day surrounded by games at work and struggling to work up the enthusiasm to play them for fun once I got home, I’ve actually found myself wanting to play games, digging out some old favourites, rebuying some long lost classics and generally wallowing in the nostalgia.

It’s amazing what not being forced to read the third breathtakingly dull ‘preview’ based on a single GTA V screenshot of the month does for one’s interest in the medium. Now the prospect of new consoles is something to be excited about rather than the herald of poorly researched speculative news stories and crossed fingers that they’ll hurry up because a magazine is a hard enough sell these days without mere scraps to work with.

So I now spend my days in commercial software development, where I’m at Decoded Solutions in Bournemouth. Things won’t change here, though, as this will remain my primary outlet for talking about gaming, which I hope will once again sit firmly atop the list of my great passions. In fact, I aim to write a lot more on here, as I now have no professional stake in games and am not contracted anywhere.

“Freedom!” and all that.