Category Archives: Editorials

Editorials meaning extended rants.

Editorials, Games

NPD Day

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I know I really shouldn’t care about them. As an owner of all three consoles it doesn’t matter in the slightest which outsells which because I can buy the games wherever they end up going. Particularly so with American numbers, given that I don’t live there.

And yet… NPD day is like Christmas every month.

At about 11:30pm on the second Thursday of the month you’ll find me refreshing NeoGAF, waiting for someone to post the freshly released numbers and the fanboys to come out to play. The NPD threads are a smorgasbord of gloating, graphs, desperate spinning, meltdowns, animated GIFs, clever Lord of the Rings analogies, historical revisionism, and a terrifying glimpse into the psyche of those with an emotional investment in a brand when confronted with the oft-bitter truth of cold, hard numbers.

I consider this my soap opera. While some rush home for the more socially acceptable pleasures of Eastenders or Hollyoaks, or even the WWE for those men for whom puberty was a purely physical exercise, I like to pore over launch-to-date and year-to-date figures and to know exactly how the PS3 is tracking compared to the GameCube. Seeing just how someone will try to spin the worst numbers into a positive is infinitely more exciting than finding out who killed Liam.

I’m not a smoker or a heavy drinker, and I don’t do drugs, so this can be my vice; my secret shame. I hope I’m not the only one who doesn’t care but somehow really does.

Editorials, Games, PC games, PlayStation, Xbox

When Worlds (at War) Collide

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It wouldn’t be the first time that it’s been suggested that some people at Infinity Ward may not be too keen on other developers messing up working with their colossally successful Call of Duty franchise in the name of annual updates, Activision becoming the new EA and all that, but this is hilarious.

The Infinity Ward community manager, Robert Bowling, made a post on his blog criticising the tendency of one of the Activision producers on World at War for making unflattering comparisons between the new game and the IW games. Here are the choice quotes:

First of all, you didn’t work on “previous Call of Dutys”, so don’t talk as if you’re down with how / why things were designed the way they were. Second, you’re completely fucking wrong.

[…]

A rule of thumb I like to use is…. when promoting your game. Promote YOUR game. Don’t compare it to another game, or reference what OTHER games did in the past, pitch YOUR game. I mean, you have lots of cool things you could talk about… like Nazi Zombies….

Can you guys please stop interviewing this guy, talk to someone who actually works on the Dev Team at Treyarch and knows what the fuck they’re talking about. Not Senior Super Douche Noah Heller from Activision – who apparently has never played the game and doesn’t even work at the developer.

That is awesome.

You have to love the dig at the Nazi zombies – for those who don’t know, there is literally a mode where you must defend your position against waves of undead German soldiers (video) – because I couldn’t believe that when I saw it. In a game that’s already treading a fine line with its depiction, however accurate, of Japanese soldiers in WWII, I can’t help but feel like that mode was pushing a boundaries of taste just a bit.

This is hardly Wolfenstein with its BJ Blazkowicz and Mecha-Hitler; the Call of Duty series was originally about being a more realistic gaming depiction of World War II by having the player not be the lone, Rambo-like hero but be one of many. So much for that idea, then…

Editorials, Impressions, Movies & TV

Bond and the Evil Shaky Cam

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I saw Quantum of Solace last night, and as someone who wasn’t wild about Casino Royale – good but overrated – I enjoyed it a surprising amount. Craig’s Bond is still an unbelievable badass and Quantum is set up as a cool Illuminati-cum-terrorist group that could become an awesome adversary over the next couple of films.

But, as the title of this post suggests, my biggest problem was how the bane of the modern action movie has infiltrated Bond. The last two Bourne films in particular were horrible for it, and Casino Royale, despite cribbing an awful lot from that series, thankfully managed to resist it, ending up looking classy and old-school for it. Bourne is rough around the edges, but despite the new rugged look Bond is supposed to be like that; Bourne wouldn’t look right in a dinner jacket and bow tie just like Bond wouldn’t look right with the cameraman having a seizure.

Quantum of Solace, though, has a new director who apparently couldn’t resist. There’s a fight early on between Bond and someone else in a suit, and because the brief for the cinematography apparently consisted of “point the camera at them and wave it around”, I literally couldn’t tell who was hitting who for most of it. Yes, it might look ‘kinetic’ and be more down with the kids, but I like to enjoy the excellent stunt work and fight choreography more than MTV music video editing. The sooner this rubbish goes out of fashion and they remember how to use a steadicam the better.

Unsurprisingly, the only time the camera stayed still in this one was when it was showing off another Sony phone.

Still, I enjoyed it and will be seeing it again this week. I want one of those tables that MI6 has more than anything, and when you see it I’m sure you’ll be the same.

Editorials, Music

Proof That the Daily Mail Ruins Everything

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I’ve been mystified about how the current controversy over Russell Brand and Jonathan Ross’s comments on the radio have been blown out of all proportion. What started as an admittedly crude but funny joke that was probably always going to provoke an apology somehow escalated into an official comment from the Prime Minister, debate in Parliament, the suspension of the presenters involved, talk of police involvement, and ultimately the resignation of Russell Brand.

But it was when I read this timeline that it became apparent who was responsible: my arch-nemesis, the Daily Mail. As if we needed more proof that it ruins everything…

Daily Mail Nazis

What struck me is that when the controversial call in question was aired there were two complaints out of 400,000 listeners, and those were over the language (exact quote: “He fucked your granddaughter!”). Being that it was late on a Saturday night and also that there’s no fixed watershed for radio anyway, those complaints wouldn’t have been upheld.

But when it was reported in the Mail five days later complaints flood in, eventually reaching 27,000 at the time of writing… eleven days after it was broadcast. Clearly those people didn’t listen to it – the most they could have done is downloaded the podcast episode by choice – so why on earth are they wasting time complaining? Could it be another pile-on when the Mail smells blood in the water after someone on the BBC does something controversial? Hmm…

Daily Mail Aryans

Admittedly there’s the argument about the licence fee and people objecting to ‘their’ money being used on this stuff, but I object to my money being used for assorted BBC shows, for different reasons, to be fair, including Strictly Come Dancing, Last Choir Standing, just about any other talent/singing/music show, Songs of Praise, and more. You know what I do? I don’t watch them and I certainly don’t lodge complaints having not seen them. Crazy, I know.

I heard the prank call in question on the podcast last week and thought it was funny, if possibly a bit tasteless, but you hardly listen to Russell Brand for insightful political discourse, do you? With any luck he’ll find a slot online or on satellite radio where the technological barrier keeps out the busybodies.

Editorials, Games, PlayStation

LittleBigFuckup

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So with less than a week until its release, one of the PS3’s most important games has been recalled and pushed back, all because of one complaint from someone who has guaranteed himself a lifetime of hate mail after he made the post with his PSN ID attached. To be fair it’s not his fault because he just asked for a quick patch, not a full recall, but you only have to browse through that thread for the post-delay posts to see that people inevitably aren’t seeing it that way.

The fact that LBP was recalled after a single post from a Muslim player while Resistance’s complaint from the Church of England garnered only an apology does somewhat play into certain groups’ hands, though. Don’t expect to hear the end of that any time soon.

It does seem like an unnecessary reaction to me. Like the guy asked for, a patch would have sufficed for now, and the song could be properly removed from all future pressings. Everyone’s happy, and the handful who’ll buy it without online access and even notice could, I’m sure, just ask for an exchange for future ‘fixed’ versions. Now there are probably millions of discs that will end up being destroyed – or on eBay at hugely inflated prices – and the marketing effort will be disrupted as people go to check out this new game that they’ve seen the reviews for and it’s not there.

I’m deliberately avoiding the ‘political correctness gone mad’ and ‘I think we all know why this garnered such a reaction nudge-nudge-wink-wink’ rubbish that I’m seeing everywhere because I hate it and it’s a bit Daily Mail, but there’s no reason to ruin it for everyone else because of a song that’s generally available on iTunes, free to listen to on MySpace (‘Tapha Niang’ in the audio player on the right), and apparently won a Grammy.

Religion is a personal choice, as is listening to a pretty beautiful song and playing the game. I’m not going to get political with that whole debate about whether religion deserves to be put on a pedestal – it doesn’t, but I said I’m not debating it ;) – but please, don’t make Everest out of a molehill when the most people want is Ben Nevis.

Editorials, Games

I Miss Good Trade Shows

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The general disappointment at how TGS was pretty much a non-event this year, coupled with the continued decline of E3, the complete absence of a relevant UK show, Nintendo’s increasingly token – at best, often – appearances and reluctance to resurrect Space World, Microsoft having neglected its own shows since X06, and Leipzig’s support among the console holders varying each year got me thinking: will we ever again get a trade show to match the gaming decadence and one-upmanship of E3 in its heyday?

Probably not, I would guess. I miss never being able to visit a ‘proper’ E3, but you can see why things changed. It gave the industry a focal point each year, providing an excuse for a mention on the evening news for one day of the year and to drive ad revenue for the gaming websites, but it cost a tremendous amount of money and, really, did it do anything that the new, low-key events couldn’t?

Nowadays we’re just as likely to see a big announcement happen out of nowhere, or to see a platform holder or even individual publisher hold a small ‘gamers’ day’ type event. Hype it up, invite the specialist press, get it on their front pages, and you have pretty much the same net benefit as the old dog and pony show, right?

I’m not so sure. I think the industry needs a big focal point of an event like Hollywood needs the Oscars and the music industry needs its Christmas number one. Without E3 there’s no one event for all the big announcements and this year’s major releases to start the hype train in advance of the Christmas season. Do we expect a mainstream press that’s ambivalent at best, if not outright dismissive, about gaming to bother with a dozen minor events to show the latest sequel? Of course they won’t.

From the perspective of a gamer I actually like the constant trickle of news that comes from surprise events and developer visits, not to mention the wholesome nuggets of new information that often appear on development blogs, but it doesn’t make it easy to find, either on an individual basis or for the media outlets themselves – how many sources would you have to cover to read every piece of news? E3 got everyone’s attention and everyone expecting the big announcements and unveilings to be there. It was so big and extravagant that the TV news couldn’t help but pay attention, and now we don’t really have anything like that.

It’s a shame, and I don’t know whether or not it’s going to change. There is all kinds of whining after another disappointing show on the GAFs of the world, but most people don’t know or care and I’m sure that, if I was a major publisher, I’d be looking at the few million dollars that I’d just saved in not putting on a light show and losing weeks of development time, and shrugging my shoulders. Money talks…